De Kempenaer Vintage Genever Poster by Henri Cassiers, 1903
Obra de arte auténtica
La obra de arte que imprimimos se restaura fielmente a partir de la fuente original, normalmente un museo, biblioteca o colección privada. Nunca sustituimos, redibujamos ni inventamos la obra del artista utilizando IA generativa.
Restaurada en nuestro taller de Londres a partir de la obra original de 1903 e impresa en calidad museo. Descripción completa
La oferta del coleccionista
Elija dos obras elegibles y obtenga un 20 % de descuento en ambas. Elija tres y la de menor precio será gratuita, con un ahorro máximo del 33 %.
Combine y mezcle mapas estándar elegibles y reproducciones de bellas artes. No se requiere código; la oferta se aplica automáticamente al finalizar la compra.
Se incluyen las configuraciones estándar hechas por encargo. Quedan excluidos los tamaños a medida, los diseños personalizados y los trabajos por encargo.
¿Necesita entrega en diferentes direcciones? Contáctenos antes de realizar el pedido.La oferta del coleccionista
Elija dos obras elegibles y obtenga un 20 % de descuento en ambas. Elija tres y la de menor precio será gratuita, con un ahorro máximo del 33 %.
Combine y mezcle mapas estándar elegibles y reproducciones de bellas artes. No se requiere código; la oferta se aplica automáticamente al finalizar la compra.
Se incluyen las configuraciones estándar hechas por encargo. Quedan excluidos los tamaños a medida, los diseños personalizados y los trabajos por encargo.
¿Necesita entrega en diferentes direcciones? Contáctenos antes de realizar el pedido.Obra de arte auténtica
La obra de arte que imprimimos se restaura fielmente a partir de la fuente original, normalmente un museo, biblioteca o colección privada. Nunca sustituimos, redibujamos ni inventamos la obra del artista utilizando IA generativa.
Restaurado a partir de la obra original de 1903 e impreso en calidad museo. Descripción completa
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Cada pedido es hecho a medida, así que si necesitas que el tamaño se ajuste ligeramente, o que se imprima en un material inusual, háznoslo saber. Hemos realizado miles de pedidos personalizados a lo largo de los años, así que hay (casi) nada que no podamos gestionar.
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Henri Cassiers’s Genièvre Vieux, created in 1903, turns a beverage advertisement into a broad, convivial harbour scene. Four men gather informally along...
Seguir leyendoHenri Cassiers’s Genièvre Vieux, created in 1903, turns a beverage advertisement into a broad, convivial harbour scene. Four men gather informally along a stone ledge, glasses in hand, while boats drift across the water behind them. Above, the product name is declared in emphatic red capitals against a luminous yellow field. Warm oranges, browns and flashes of red animate the figures, set off by the cooler blues and greens of the distant maritime view.
A Belgian artist admired for his refined illustration and poster compositions, Cassiers worked at a moment when commercial imagery offered artists a highly visible modern arena. Around the turn of the twentieth century, posters had to communicate at a glance, yet they could also sustain remarkably sophisticated drawing, colour and atmosphere. Here Cassiers sells not simply a drink but an entire social setting: ease, conversation and good fellowship beside the water. The subject is an aged form of genever, the juniper-flavoured spirit closely associated with the Low Countries, making the combination of French lettering, Belgian artistry and nautical life particularly apt.
A closer look
The four men form a loose, irregular procession across the lower half of the composition. At the far left, a cloaked figure lifts his glass in a gesture that reads almost like a toast. The others lean, turn and converse rather than posing formally; relaxed hands and varied inclinations of the head give the group an easy conversational rhythm. Their clothing supplies much of the poster’s visual energy. A white shirt is sharpened by red accents, while conspicuous green-and-white checked trousers introduce a lively geometric pattern among the softer folds of cloaks and shirts.
Near the centre sits a wooden barrel, both an everyday object and the advertisement’s principal piece of evidence. Its curved staves and visible grain provide a compact area of descriptive detail, and its inscription reads “EXPOSITION UNIV. DE PARIS 1900 MÉDAILLE D’OR”. Positioned among the drinkers rather than isolated like a formal emblem, the claim becomes part of the scene. The barrel also anchors the asymmetrical gathering, its solid circular form counterbalancing the figures’ expansive gestures.
Beyond the ledge, the harbour is handled more sparingly. Raised sails, blue water and a green boat create depth without distracting from the group, while small gulls punctuate the open air above. This background calm makes the foreground conversation appear still more animated. Cassiers’s broad areas of flat colour and smooth contours keep the design immediately legible, but the shallow space is not without nuance: overlapping bodies, the ledge, barrel and receding boats establish a series of distinct planes. The generous yellow expanse around the red title doubles as sky and graphic ground, binding words and illustration into a single design.
Context and significance
Genièvre Vieux belongs to a period in which advertising increasingly drew upon the visual intelligence of illustration and fine art. Cassiers’s graceful line, warm palette and decorative clarity were well suited to this new print culture. Rather than presenting the beverage as a static commodity, he gives it a human narrative, associating it with leisure and sociability while allowing the bold typography and medal inscription to carry the direct commercial message.
The poster rewards attention because its persuasion is so lightly staged. Cheerful gestures attract the eye first; only afterwards do the barrel, award text, harbour details and carefully balanced colour contrasts emerge. Cassiers thus makes commerce and observation work together, preserving the immediacy of an advertisement while offering a richly characterised glimpse of turn-of-the-century social life.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 16x20in (40x50cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Henri Cassiers’s Genièvre Vieux, created in 1903, turns a beverage advertisement into a broad, convivial harbour scene. Four men gather informally along a stone ledge, glasses in hand, while boats drift across the water behind them. Above, the product name is declared in emphatic red capitals against a luminous yellow field. Warm oranges, browns and flashes of red animate the figures, set off by the cooler blues and greens of the distant maritime view.
A Belgian artist admired for his refined illustration and poster compositions, Cassiers worked at a moment when commercial imagery offered artists a highly visible modern arena. Around the turn of the twentieth century, posters had to communicate at a glance, yet they could also sustain remarkably sophisticated drawing, colour and atmosphere. Here Cassiers sells not simply a drink but an entire social setting: ease, conversation and good fellowship beside the water. The subject is an aged form of genever, the juniper-flavoured spirit closely associated with the Low Countries, making the combination of French lettering, Belgian artistry and nautical life particularly apt.
A closer look
The four men form a loose, irregular procession across the lower half of the composition. At the far left, a cloaked figure lifts his glass in a gesture that reads almost like a toast. The others lean, turn and converse rather than posing formally; relaxed hands and varied inclinations of the head give the group an easy conversational rhythm. Their clothing supplies much of the poster’s visual energy. A white shirt is sharpened by red accents, while conspicuous green-and-white checked trousers introduce a lively geometric pattern among the softer folds of cloaks and shirts.
Near the centre sits a wooden barrel, both an everyday object and the advertisement’s principal piece of evidence. Its curved staves and visible grain provide a compact area of descriptive detail, and its inscription reads “EXPOSITION UNIV. DE PARIS 1900 MÉDAILLE D’OR”. Positioned among the drinkers rather than isolated like a formal emblem, the claim becomes part of the scene. The barrel also anchors the asymmetrical gathering, its solid circular form counterbalancing the figures’ expansive gestures.
Beyond the ledge, the harbour is handled more sparingly. Raised sails, blue water and a green boat create depth without distracting from the group, while small gulls punctuate the open air above. This background calm makes the foreground conversation appear still more animated. Cassiers’s broad areas of flat colour and smooth contours keep the design immediately legible, but the shallow space is not without nuance: overlapping bodies, the ledge, barrel and receding boats establish a series of distinct planes. The generous yellow expanse around the red title doubles as sky and graphic ground, binding words and illustration into a single design.
Context and significance
Genièvre Vieux belongs to a period in which advertising increasingly drew upon the visual intelligence of illustration and fine art. Cassiers’s graceful line, warm palette and decorative clarity were well suited to this new print culture. Rather than presenting the beverage as a static commodity, he gives it a human narrative, associating it with leisure and sociability while allowing the bold typography and medal inscription to carry the direct commercial message.
The poster rewards attention because its persuasion is so lightly staged. Cheerful gestures attract the eye first; only afterwards do the barrel, award text, harbour details and carefully balanced colour contrasts emerge. Cassiers thus makes commerce and observation work together, preserving the immediacy of an advertisement while offering a richly characterised glimpse of turn-of-the-century social life.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 16x20in (40x50cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Muchos de nuestros mapas y reproducciones de arte se eligen como regalos considerados para hogares, oficinas, despachos y lugares significativos.
Elija una opción enmarcada para el regalo más sencillo, listo para colgar, o elija una lámina sin enmarcar si el destinatario prefiere seleccionar su propio marco.
Producimos los pedidos localmente en 23 países de todo el mundo, por lo que a menudo los regalos pueden realizarse cerca del destinatario. Esto ayuda a que lleguen más rápido, viajen de forma más segura y eviten sorpresas por aduanas o aranceles de importación.
- Podemos entregar directamente al destinatario
- Las piezas enmarcadas llegan listas para colgar
- Las láminas sin enmarcar se embalan cuidadosamente en un resistente tubo protector
- Casi todos los pedidos se producen localmente, para regalar de forma más rápida y segura
- Las devoluciones de 90 días dan al destinatario tiempo para decidir
Si no está seguro de qué elegir, por favor contáctenos. Podemos ayudarle a escoger el mapa, tamaño, acabado u opción de entrega adecuados.
Para la mayoría de los pedidos, el tiempo de entrega es de aproximadamente 3 días laborables. Los productos personalizados y a medida tardan más, ya que tengo que hacer la personalización y enviártelo para su aprobación, lo cual suele tardar 1 o 2 días.
Tenga en cuenta que los pedidos enmarcados muy grandes suelen tardar más en fabricarse y entregarse.
Si necesitas que tu pedido llegue para una fecha determinada, por favor contáctame antes de hacer el pedido para que podamos encontrar la mejor manera de asegurarnos de que recibas tu pedido a tiempo.
Imprimo y enmarco mapas y obras de arte en 23 países alrededor del mundo. Esto significa que tu pedido se fabricará localmente, lo que reduce el tiempo de entrega y asegura que no se dañe durante el envío. Nunca pagarás aranceles de aduana o impuestos de importación, y pondremos menos CO2 en el aire.
Todos mis mapas y impresiones artísticas están bien empaquetados y enviados en un tubo resistente si no están enmarcados, o rodeados de espuma si están enmarcados.
Intento enviar todos los pedidos dentro de 1 o 2 días después de recibir tu pedido, aunque algunos productos (como mascarillas, tazas y bolsas de tela) pueden tardar más en fabricarse.
Si seleccionas Entrega Exprés al finalizar la compra, priorizaremos tu pedido y lo enviaremos por mensajería de 1 día (Fedex, DHL, UPS, Parcelforce).
La entrega al día siguiente también está disponible en algunos países (EE. UU., Reino Unido, Singapur, EAU), pero por favor intenta hacer tu pedido temprano en el día para que podamos enviarlo a tiempo.
Mi marco estándar es un marco de madera de fresno negro estilo galería. Es simple y tiene un aspecto bastante moderno. Mi marco estándar tiene alrededor de 20 mm (0.8 in) de ancho.
Utilizo acrílico super claro (perspex/acrylite) para el vidrio del marco. Es más ligero y seguro que el vidrio, y se ve mejor, ya que la reflectividad es menor.
Seis colores de marco estándar están disponibles de forma gratuita (negro, marrón oscuro, gris oscuro, roble, blanco y oro antiguo).El enmarcado y montaje/matizado personalizado está disponible si buscas algo diferente.
La mayoría de los mapas, arte e ilustraciones también están disponibles como un lienzo enmarcado. Utilizamos lienzo de algodón mate (no brillante), lo estiramos sobre un marco de madera de caja de origen sostenible, y luego 'flotamos' la pieza dentro de un marco de madera. El resultado final es bastante hermoso, y no hay cristal que se interponga.
Todos los marcos se proporcionan "listos para colgar", con una cuerda o soportes en la parte posterior. Los marcos muy grandes tendrán placas de colgar de alta resistencia y/o un listón de montaje. Si tienes alguna pregunta, por favor ponte en contacto.
Mira algunos ejemplos de mis mapas enmarcados y mapas en lienzo enmarcados.
Alternativamente, también puedo proporcionar mapas antiguos y obras de arte en lienzo, tablero de espuma, papel de algodón y otros materiales.
Si deseas enmarcar tu mapa o obra de arte tú mismo, por favor lee mi guía de tamaños primero.
Trabajamos con diseñadores de interiores, empresas de hostelería, profesionales inmobiliarios, oficinas y compradores corporativos en piezas individuales y proyectos coordinados de mayor envergadura.
Esta obra puede adaptarse a una pared, estancia o proyecto concretos, y nuestro taller puede ayudar a coordinar las dimensiones, el material y el enmarcado antes de la producción.
- Dimensiones exactas, sobredimensionadas y a medida
- Enmarcado, montaje y materiales alternativos personalizados
- Piezas coordinadas para varias estancias o ubicaciones
- Personalización de la obra, para ajustar el color y el estilo de la pieza
- Asesoramiento sobre la obra y el enmarcado por parte de nuestro taller
- Producción local para proyectos en todo el mundo
Cada impresión artística restaurada comienza con la obra original del artista; nunca con un reemplazo generado por IA.
Nuestro estudio de Londres trabaja a partir de material de origen cuidadosamente seleccionado de museos, bibliotecas, archivos y colecciones privadas. Restauramos el deterioro por el paso del tiempo, la coloración desvaída y las imperfecciones de reproducción, preservando al mismo tiempo la composición, la pincelada, el trazo, la textura y el carácter de época del artista.
No utilizamos IA generativa para redibujar, reinterpretar ni inventar la obra. La restauración digital se emplea únicamente para recuperar y reproducir la obra original con la mayor fidelidad posible.
Una vez restaurada, la obra maestra se prepara para el tamaño y el acabado que haya elegido. Después, su pieza se imprime y, cuando se selecciona, se enmarca cerca de su destino de entrega.
Nuestras impresiones artísticas giclée utilizan papel mate de archivo libre de ácido de 200 g/m² y tintas de pigmento resistentes a la decoloración para ofrecer un acabado rico, de calidad museística. Las impresiones artísticas enmarcadas utilizan acrílico óptico cristalino y llegan listas para colgar.
También están disponibles ediciones en lienzo enmarcado y ediciones especiales sobre algodón-rag. Obtenga más información sobre nuestros materiales y acabados.
Llevamos restaurando y produciendo mapas y láminas artísticas desde 1984, y respondemos por cada pieza.
Todos los pedidos están cubiertos por nuestra garantía de 10 años y nuestra garantía de entrega sin daños. Si su pieza llega dañada, la sustituiremos o la volveremos a producir sin cargo alguno. Si cualquier otro aspecto no es correcto, contacte con nuestro equipo de taller y lo resolveremos con prontitud.
Consulte nuestra política de devoluciones y reembolsos para conocer todos los detalles.
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Henri Cassiers’s Genièvre Vieux, created in 1903, turns a beverage advertisement into a broad, convivial harbour scene. Four men gather informally along a stone ledge, glasses in hand, while boats drift across the water behind them. Above, the product name is declared in emphatic red capitals against a luminous yellow field. Warm oranges, browns and flashes of red animate the figures, set off by the cooler blues and greens of the distant maritime view.
A Belgian artist admired for his refined illustration and poster compositions, Cassiers worked at a moment when commercial imagery offered artists a highly visible modern arena. Around the turn of the twentieth century, posters had to communicate at a glance, yet they could also sustain remarkably sophisticated drawing, colour and atmosphere. Here Cassiers sells not simply a drink but an entire social setting: ease, conversation and good fellowship beside the water. The subject is an aged form of genever, the juniper-flavoured spirit closely associated with the Low Countries, making the combination of French lettering, Belgian artistry and nautical life particularly apt.
A closer look
The four men form a loose, irregular procession across the lower half of the composition. At the far left, a cloaked figure lifts his glass in a gesture that reads almost like a toast. The others lean, turn and converse rather than posing formally; relaxed hands and varied inclinations of the head give the group an easy conversational rhythm. Their clothing supplies much of the poster’s visual energy. A white shirt is sharpened by red accents, while conspicuous green-and-white checked trousers introduce a lively geometric pattern among the softer folds of cloaks and shirts.
Near the centre sits a wooden barrel, both an everyday object and the advertisement’s principal piece of evidence. Its curved staves and visible grain provide a compact area of descriptive detail, and its inscription reads “EXPOSITION UNIV. DE PARIS 1900 MÉDAILLE D’OR”. Positioned among the drinkers rather than isolated like a formal emblem, the claim becomes part of the scene. The barrel also anchors the asymmetrical gathering, its solid circular form counterbalancing the figures’ expansive gestures.
Beyond the ledge, the harbour is handled more sparingly. Raised sails, blue water and a green boat create depth without distracting from the group, while small gulls punctuate the open air above. This background calm makes the foreground conversation appear still more animated. Cassiers’s broad areas of flat colour and smooth contours keep the design immediately legible, but the shallow space is not without nuance: overlapping bodies, the ledge, barrel and receding boats establish a series of distinct planes. The generous yellow expanse around the red title doubles as sky and graphic ground, binding words and illustration into a single design.
Context and significance
Genièvre Vieux belongs to a period in which advertising increasingly drew upon the visual intelligence of illustration and fine art. Cassiers’s graceful line, warm palette and decorative clarity were well suited to this new print culture. Rather than presenting the beverage as a static commodity, he gives it a human narrative, associating it with leisure and sociability while allowing the bold typography and medal inscription to carry the direct commercial message.
The poster rewards attention because its persuasion is so lightly staged. Cheerful gestures attract the eye first; only afterwards do the barrel, award text, harbour details and carefully balanced colour contrasts emerge. Cassiers thus makes commerce and observation work together, preserving the immediacy of an advertisement while offering a richly characterised glimpse of turn-of-the-century social life.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 16x20in (40x50cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.