{"product_id":"bird-of-paradise-strelitzia-reginae-plate-1-by-pierre-joseph-redoute-1802","title":"Bird of Paradise (Strelitzia reginae, Plate 1) by Pierre Joseph Redouté, 1802","description":"\u003cp\u003ePierre-Joseph Redouté’s \u003cem\u003eStrelitzia Reginae (1802–1816)\u003c\/em\u003e, dated 1802, presents the bird-of-paradise plant (\u003cem\u003eStrelitzia reginae\u003c\/em\u003e) as both a botanical specimen and an arresting sculptural form. The principal bloom rises on the right, its pointed orange petals and deep blue structures unfolding from a green, beak-like bract. Broad leaves anchor the lower part of the composition, while three smaller studies of the flower’s component parts occupy the open space to the left. Against the warm off-white ground, the plant’s unusual architecture can be read with exceptional clarity.\u003c\/p\u003e\n\n\u003cp\u003eRedouté was among the most accomplished flower illustrators working in France during the late eighteenth and early nineteenth centuries. His images belong to a period in which botanical art served scientific study, horticultural knowledge and cultivated taste at once. Plants newly established in European gardens and collections required faithful visual records, yet Redouté’s work is never merely diagrammatic: precise observation is organised through balanced spacing, lucid contours and carefully modulated colour. The bird-of-paradise plant, native to southern Africa and named for the Mecklenburg-Strelitz birthplace of Queen Charlotte, was particularly suited to this union of scientific description and visual spectacle.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe plate’s asymmetry gives it much of its energy. Rather than placing the bloom squarely in the centre, Redouté sets it towards the upper right, leaving generous negative space around its flame-like petals. Their colour shifts subtly from yellow at the base into vivid orange, interrupted by cool blue forms that project at sharp angles. This opposition of warm and cool colour makes the flower appear unusually animated, while fine shading along the edges gives volume to each narrow, overlapping structure.\u003c\/p\u003e\n\n\u003cp\u003eBelow, the foliage provides a quieter counterweight. One broad green leaf turns towards the viewer, its central rib and branching veins described with controlled, delicate strokes; another rises more vertically, directing the eye back towards the bloom. The stalk appears firm but not rigid, with slight tonal variations suggesting its rounded surface. Nothing extraneous interrupts the specimen, and the pale field around it becomes an active element of the design, separating leaf, stem and flower so that each may be examined.\u003c\/p\u003e\n\n\u003cp\u003eThe supplementary details on the left reveal the plate’s scientific purpose. Slender, isolated flower parts are shown separately and identified by small numerals, including ‘2’, ‘3’ and ‘6’. Their blue, white and muted green tones echo the principal flower while clarifying structures that would otherwise be concealed within it. At the lower centre, the scripted name ‘Strelitzia Reginae’ and the plate number ‘1’ give the composition the restrained authority of a classified botanical study.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003eBotanical illustration occupied a distinctive place in early nineteenth-century visual culture. Before colour photography, the illustrator had to reconcile several demands: anatomical accuracy, recognisable colour, legibility and an arrangement sufficiently elegant to sustain close attention. Redouté became renowned for precisely this synthesis. His flowers retain the identifying details required of botanical documentation, but their placement on the page also reflects a highly refined sense of proportion and rhythm.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eStrelitzia Reginae\u003c\/em\u003e is especially compelling because its subject resists the familiar softness of conventional flower studies. The sharply articulated bloom resembles a crest or tropical bird, while the leaves introduce broad, calm planes of green beneath it. Redouté preserves that strangeness rather than domesticating it, making the plate at once an exacting study of plant form and a memorable encounter with one of horticulture’s most distinctive flowers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/fr\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 36x24in (90x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/fr\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/fr\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/fr\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/fr\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"A4 (210x297mm) \/ Art print","offer_id":59991625269632,"sku":null,"price":227.0,"currency_code":"CNY","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59991625302400,"sku":null,"price":545.0,"currency_code":"CNY","in_stock":true},{"title":"A4 (210x297mm) \/ Framed canvas","offer_id":59991625335168,"sku":null,"price":636.0,"currency_code":"CNY","in_stock":true},{"title":"12x18in (30x45cm) \/ Art print","offer_id":59991625367936,"sku":null,"price":354.0,"currency_code":"CNY","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed art print","offer_id":59991625400704,"sku":null,"price":953.0,"currency_code":"CNY","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed 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