{"product_id":"lychnis-grandiflora-plate-44-by-pierre-joseph-redoute-1827","title":"Lychnis grandiflora (Plate 44) by Pierre Joseph Redouté, 1827","description":"\u003cp\u003ePierre-Joseph Redouté’s \u003cem\u003eChoix des plus belles fleurs, plate 044\u003c\/em\u003e, published in 1827, presents \u003cem\u003eLychnis grandiflora\u003c\/em\u003e as a poised vertical arrangement of brilliant orange flowers and deep green foliage. Three open blooms dominate the upper half of the composition, their ruffled petals shifting from saturated orange to softer yellow-orange at the edges. Small pink accents mark their centres, while the pale, unoccupied ground gives every stem, leaf and unfolding bud exceptional clarity.\u003c\/p\u003e\n\n\u003cp\u003eThe plate belongs to Redouté’s celebrated \u003cem\u003eChoix des plus belles fleurs\u003c\/em\u003e, a project whose title translates as “Selection of the Most Beautiful Flowers”. Redouté was among the defining botanical artists of the early nineteenth century, admired for images that served the demands of plant study without sacrificing grace or decorative refinement. At a time when botanical publications brought the expanding knowledge of cultivated and collected plants to a wider audience, his flower studies demonstrated how scientific observation and artistic judgement could reinforce one another.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe composition rises from a compact cluster of leaves into slender, branching stems. Below, the foliage forms a cool green counterweight to the warm blossoms: elongated leaves overlap around the central stalk, their edges firmly described and their vein patterns picked out with fine lines. Subtle tonal changes suggest the slight curvature of each leaf, distinguishing surfaces turned towards the light from those angled away. Although the plant is carefully ordered on the page, it does not appear rigid; stems lean gently to either side, creating an asymmetrical, naturally growing rhythm.\u003c\/p\u003e\n\n\u003cp\u003eAbove this leafy base, the flowers open at different angles. The largest blossom faces almost directly outwards, making its layered structure especially legible, while the neighbouring flowers turn away just enough to reveal the depth and overlap of their petals. Redouté’s shading is restrained but remarkably effective. Minute transitions from deep orange through coral and pale gold give the petals a soft, nearly velvety appearance, and the pink rings at their centres sharpen the internal geometry of each bloom.\u003c\/p\u003e\n\n\u003cp\u003eSmaller buds appear among the open flowers, introducing another stage of the plant’s development without disrupting the clarity of the study. The generous cream-toned space around the specimen is equally important: it isolates the silhouette and allows the branching structure to be read from rootward leaves to uppermost bloom. At the lower edge, the cursive label “\u003cem\u003eLychnis grandiflora\u003c\/em\u003e” identifies the specimen while also completing the plate’s elegant visual balance.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003eBotanical illustration occupied a distinctive position in early nineteenth-century visual culture. Such plates were expected to record recognisable plant structures, yet they were also composed for readers who valued flowers as objects of cultivation, connoisseurship and aesthetic pleasure. Redouté’s particular achievement lay in reconciling these purposes. His specimens remain sufficiently precise to reward close inspection, but their placement, spacing and colour are handled with the assurance of finished works of art.\u003c\/p\u003e\n\n\u003cp\u003eThis plate makes that balance especially apparent. Its concentrated orange-and-green palette has immediate decorative force, while the variations between open flowers, partially concealed petals and tightly held buds encourage slower looking. Nothing extraneous competes with the plant. Instead, Redouté turns a single botanical subject into a measured study of growth, structure and colour—an image as rewarding for an admirer of historical botanical art as for anyone drawn to the close observation of flowers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/fr\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 18x24in (45x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/fr\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/fr\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/fr\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/fr\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"8x10in (20x25cm) \/ Art print","offer_id":59958129426816,"sku":null,"price":227.0,"currency_code":"CNY","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed art print","offer_id":59958129459584,"sku":null,"price":544.0,"currency_code":"CNY","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed canvas","offer_id":59958129492352,"sku":null,"price":635.0,"currency_code":"CNY","in_stock":true},{"title":"A4 (210x297mm) \/ Art print","offer_id":59958129525120,"sku":null,"price":227.0,"currency_code":"CNY","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59958129557888,"sku":null,"price":544.0,"currency_code":"CNY","in_stock":true},{"title":"A4 (210x297mm) \/ Framed 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