Beetles (Coleoptera, Plate 140) by Frederick DuCane Godman, 1879
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1879 e stampata in qualità museale. Descrizione completa
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Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1879 e stampata in qualità museale. Descrizione completa
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Insecta Coleoptera Pl 140 (1879) by Frederick DuCane Godman captures the exacting spirit of Victorian natural history. Rendered at a time when...
Continua a leggereInsecta Coleoptera Pl 140 (1879) by Frederick DuCane Godman captures the exacting spirit of Victorian natural history. Rendered at a time when taxonomy was becoming rigorously systematized, this plate presents an orderly array of beetles, each specimen meticulously posed to showcase diagnostic features. Rather than telling a narrative, the composition privileges accuracy of form, patterning, and coloration, inviting close study of the astonishing variety within Coleoptera.
This is a museum-quality fine art print produced with archival giclée inks. Choose from acid-free, heavyweight archival paper or richly textured artist’s cotton canvas. The Unique Maps Co. offers a range of sizes—from intimate study prints to commanding statement pieces—along with custom framing in gallery black, crisp white, or warm walnut. Personalization options include custom titling or a dedication line, margin adjustments for matting, and other bespoke requests to suit your space.
Frederick DuCane Godman (1834–1919) was an English naturalist whose influence reached across ornithology, entomology, and the great collaborative catalogues of the late 19th century. His name is closely associated with projects that brought scientific precision and visual clarity to the documentation of species, reflecting the era’s drive to collect, classify, and compare the natural world. Plates like this stand at the intersection of field observation, scholarly exchange, and the fine draughtsmanship that defined Victorian science.
The subject here—beetles—was central to the scientific discourse of the period. Coleoptera offered an ideal proving ground for taxonomy: strikingly diverse, structurally distinct, and abundant enough to support robust classification. The plate’s methodical layout reads like a visual key, guiding the eye from one form to the next and underscoring how small differences in elytra, antennae, and body shape map onto scientific categories. Period conventions are observed throughout, including the clear labeling and clean spacing that allow each figure to be examined in isolation.
Color and design are handled with quiet mastery. Against a white ground, warm oranges and polished browns sit alongside onyx blacks and occasional metallic greens, with fine shading that suggests the subtle curvature and sheen of each carapace. You can see the careful stippling and crosshatching that create depth without overwhelming the page, while minute patterns—bands, spots, and linear striations—are captured with almost jeweler’s precision. The result is both scholarly and decorative: a serene, symmetrical composition that reads beautifully at any scale and pairs effortlessly with modern minimal interiors, traditional libraries, or a cabinet-of-curiosities wall.
This print makes a thoughtful gift for entomologists, science teachers, natural history lovers, and anyone drawn to the refinement of Victorian design—ideal for birthdays, graduations, housewarmings, Mother’s or Father’s Day, or as a distinctive Christmas present.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Insecta Coleoptera Pl 140 (1879) by Frederick DuCane Godman captures the exacting spirit of Victorian natural history. Rendered at a time when taxonomy was becoming rigorously systematized, this plate presents an orderly array of beetles, each specimen meticulously posed to showcase diagnostic features. Rather than telling a narrative, the composition privileges accuracy of form, patterning, and coloration, inviting close study of the astonishing variety within Coleoptera.
This is a museum-quality fine art print produced with archival giclée inks. Choose from acid-free, heavyweight archival paper or richly textured artist’s cotton canvas. The Unique Maps Co. offers a range of sizes—from intimate study prints to commanding statement pieces—along with custom framing in gallery black, crisp white, or warm walnut. Personalization options include custom titling or a dedication line, margin adjustments for matting, and other bespoke requests to suit your space.
Frederick DuCane Godman (1834–1919) was an English naturalist whose influence reached across ornithology, entomology, and the great collaborative catalogues of the late 19th century. His name is closely associated with projects that brought scientific precision and visual clarity to the documentation of species, reflecting the era’s drive to collect, classify, and compare the natural world. Plates like this stand at the intersection of field observation, scholarly exchange, and the fine draughtsmanship that defined Victorian science.
The subject here—beetles—was central to the scientific discourse of the period. Coleoptera offered an ideal proving ground for taxonomy: strikingly diverse, structurally distinct, and abundant enough to support robust classification. The plate’s methodical layout reads like a visual key, guiding the eye from one form to the next and underscoring how small differences in elytra, antennae, and body shape map onto scientific categories. Period conventions are observed throughout, including the clear labeling and clean spacing that allow each figure to be examined in isolation.
Color and design are handled with quiet mastery. Against a white ground, warm oranges and polished browns sit alongside onyx blacks and occasional metallic greens, with fine shading that suggests the subtle curvature and sheen of each carapace. You can see the careful stippling and crosshatching that create depth without overwhelming the page, while minute patterns—bands, spots, and linear striations—are captured with almost jeweler’s precision. The result is both scholarly and decorative: a serene, symmetrical composition that reads beautifully at any scale and pairs effortlessly with modern minimal interiors, traditional libraries, or a cabinet-of-curiosities wall.
This print makes a thoughtful gift for entomologists, science teachers, natural history lovers, and anyone drawn to the refinement of Victorian design—ideal for birthdays, graduations, housewarmings, Mother’s or Father’s Day, or as a distinctive Christmas present.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
