Beetles (Coleoptera, Plate 60) by Frederick DuCane Godman, 1879
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Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
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L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
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Frederick DuCane Godman’s Insecta Coleoptera Pl. 060 (1879) captures the Victorian zeal for understanding the natural world through careful observation. An English...
Continua a leggereFrederick DuCane Godman’s Insecta Coleoptera Pl. 060 (1879) captures the Victorian zeal for understanding the natural world through careful observation. An English naturalist born in 1834, Godman was closely involved in the rigorous cataloging and classification that defined late 19th‑century scholarship. This plate presents beetles of the order Coleoptera in a clear, methodical arrangement, prioritizing precise form, pattern, and anatomy so that scientists and collectors could study and compare specimens with ease. Its measured, objective style exemplifies how art and taxonomy intertwined during the golden age of natural history publishing.
Offered here as a museum-quality fine art print on your choice of acid‑free archival paper or artist’s cotton canvas, each reproduction is color‑checked for fidelity and crisp detail. The Unique Maps Co. can produce a range of sizes and framing options to suit your space, with personalization available—such as custom margins, captions, or dedications—to create a piece that feels tailored to your collection, library, office, or study.
About the artist: Godman stood at the heart of Victorian natural history, championing the meticulous documentation of biodiversity. His lifetime of collecting and patronage supported major scientific projects of the period, and his plates reflect the era’s commitment to accurate, systematically organized knowledge. For admirers of 19th‑century science, his name signals both authority and refinement.
Why this work matters: Insecta Coleoptera Pl. 060 is more than decoration—it is a working document from a time when scientific illustration was essential to discovery. The orderly presentation helps clarify differences in morphology and patterning, reflecting advances that moved illustration from purely monochrome renderings toward richly informative color plates. The result is a visual index for identification that also reads as a quiet celebration of biodiversity.
Style and color: Set against a calm white field, the beetles are rendered with fine ink lines and translucent watercolor washes. Natural greens, warm orange‑brown tones, and inky blacks articulate shells, legs, and antennae, while delicate shadowing lifts each specimen from the page. The symmetrical bodies and crisp silhouettes honor the characteristic forms of Coleoptera (beetles), balancing scientific clarity with a refined aesthetic that suits both modern and traditional interiors. It’s a compelling choice for those who appreciate the intersection of art and science and want a piece with quiet, scholarly elegance.
This print makes a thoughtful gift for entomologists, nature lovers, and anyone fascinated by the history of science—perfect for Christmas, Father’s Day, Mother’s Day, birthdays, graduations, or as a distinctive housewarming present for a new home office or study.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Frederick DuCane Godman’s Insecta Coleoptera Pl. 060 (1879) captures the Victorian zeal for understanding the natural world through careful observation. An English naturalist born in 1834, Godman was closely involved in the rigorous cataloging and classification that defined late 19th‑century scholarship. This plate presents beetles of the order Coleoptera in a clear, methodical arrangement, prioritizing precise form, pattern, and anatomy so that scientists and collectors could study and compare specimens with ease. Its measured, objective style exemplifies how art and taxonomy intertwined during the golden age of natural history publishing.
Offered here as a museum-quality fine art print on your choice of acid‑free archival paper or artist’s cotton canvas, each reproduction is color‑checked for fidelity and crisp detail. The Unique Maps Co. can produce a range of sizes and framing options to suit your space, with personalization available—such as custom margins, captions, or dedications—to create a piece that feels tailored to your collection, library, office, or study.
About the artist: Godman stood at the heart of Victorian natural history, championing the meticulous documentation of biodiversity. His lifetime of collecting and patronage supported major scientific projects of the period, and his plates reflect the era’s commitment to accurate, systematically organized knowledge. For admirers of 19th‑century science, his name signals both authority and refinement.
Why this work matters: Insecta Coleoptera Pl. 060 is more than decoration—it is a working document from a time when scientific illustration was essential to discovery. The orderly presentation helps clarify differences in morphology and patterning, reflecting advances that moved illustration from purely monochrome renderings toward richly informative color plates. The result is a visual index for identification that also reads as a quiet celebration of biodiversity.
Style and color: Set against a calm white field, the beetles are rendered with fine ink lines and translucent watercolor washes. Natural greens, warm orange‑brown tones, and inky blacks articulate shells, legs, and antennae, while delicate shadowing lifts each specimen from the page. The symmetrical bodies and crisp silhouettes honor the characteristic forms of Coleoptera (beetles), balancing scientific clarity with a refined aesthetic that suits both modern and traditional interiors. It’s a compelling choice for those who appreciate the intersection of art and science and want a piece with quiet, scholarly elegance.
This print makes a thoughtful gift for entomologists, nature lovers, and anyone fascinated by the history of science—perfect for Christmas, Father’s Day, Mother’s Day, birthdays, graduations, or as a distinctive housewarming present for a new home office or study.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
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Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
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Frederick DuCane Godman’s Insecta Coleoptera Pl. 060 (1879) captures the Victorian zeal for understanding the natural world through careful observation. An English naturalist born in 1834, Godman was closely involved in the rigorous cataloging and classification that defined late 19th‑century scholarship. This plate presents beetles of the order Coleoptera in a clear, methodical arrangement, prioritizing precise form, pattern, and anatomy so that scientists and collectors could study and compare specimens with ease. Its measured, objective style exemplifies how art and taxonomy intertwined during the golden age of natural history publishing.
Offered here as a museum-quality fine art print on your choice of acid‑free archival paper or artist’s cotton canvas, each reproduction is color‑checked for fidelity and crisp detail. The Unique Maps Co. can produce a range of sizes and framing options to suit your space, with personalization available—such as custom margins, captions, or dedications—to create a piece that feels tailored to your collection, library, office, or study.
About the artist: Godman stood at the heart of Victorian natural history, championing the meticulous documentation of biodiversity. His lifetime of collecting and patronage supported major scientific projects of the period, and his plates reflect the era’s commitment to accurate, systematically organized knowledge. For admirers of 19th‑century science, his name signals both authority and refinement.
Why this work matters: Insecta Coleoptera Pl. 060 is more than decoration—it is a working document from a time when scientific illustration was essential to discovery. The orderly presentation helps clarify differences in morphology and patterning, reflecting advances that moved illustration from purely monochrome renderings toward richly informative color plates. The result is a visual index for identification that also reads as a quiet celebration of biodiversity.
Style and color: Set against a calm white field, the beetles are rendered with fine ink lines and translucent watercolor washes. Natural greens, warm orange‑brown tones, and inky blacks articulate shells, legs, and antennae, while delicate shadowing lifts each specimen from the page. The symmetrical bodies and crisp silhouettes honor the characteristic forms of Coleoptera (beetles), balancing scientific clarity with a refined aesthetic that suits both modern and traditional interiors. It’s a compelling choice for those who appreciate the intersection of art and science and want a piece with quiet, scholarly elegance.
This print makes a thoughtful gift for entomologists, nature lovers, and anyone fascinated by the history of science—perfect for Christmas, Father’s Day, Mother’s Day, birthdays, graduations, or as a distinctive housewarming present for a new home office or study.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.