{"product_id":"blue-grass-lily-aphyllanthes-monspeliensis-plate-62-by-pierre-joseph-redoute-1805","title":"Blue Grass Lily (Aphyllanthes monspeliensis, Plate 62) by Pierre Joseph Redouté, 1805","description":"\u003cp\u003ePierre-Joseph Redouté’s \u003cem\u003eLes liliacees Pl.62 (1805-1816)\u003c\/em\u003e, dated 1805, presents \u003cem\u003eAphyllanthes monspeliensis\u003c\/em\u003e as an exceptionally spare arrangement of fine green stems, grass-like foliage and three blue flowers. The plant rises almost weightlessly through the centre of the pale ground, its narrow, slightly diverging lines culminating in star-shaped blooms. Redouté leaves ample space around the specimen, allowing the smallest changes of direction—from an arching leaf to the gentle tilt of a flower head—to become part of the composition.\u003c\/p\u003e\n\n\u003cp\u003eThe plate belongs to \u003cem\u003eLes liliacées\u003c\/em\u003e, Redouté’s celebrated early nineteenth-century series devoted to plants then associated with the lily family. Botanical illustration at this period answered both scientific and aesthetic interests: plants were recorded for study and classification, yet also presented as subjects of considerable refinement. Redouté, often described as the “Raphael of flowers”, became renowned for precisely this union of observation and grace. Rather than treating the specimen as a diagram alone, he organised roots, stems, leaves and flowers into a lucid visual structure without sacrificing their distinctive botanical character.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe eye begins at the lower edge, where a compact tuft of finely described roots anchors the otherwise airy plant. From this earthy brown base, numerous narrow green blades spread and curve, some remaining close to the centre while others sweep outwards before returning the gaze towards the upright stems. Their overlapping contours create a subtle sense of depth, despite the restraint of the setting.\u003c\/p\u003e\n\n\u003cp\u003eHigher up, the stems become increasingly slender and isolated against the warm, pale beige background. The three flowers are distributed asymmetrically, preventing the study from feeling rigid: one bloom faces more directly forward, while the others turn at slightly different angles. Each is built from delicately veined blue petals, with gradations from cool, relatively saturated edges to paler interior tones. Small yellow accents at the centres provide a warm counterpoint to the blue, while restrained shading gives the stems and petals a quiet dimensionality.\u003c\/p\u003e\n\n\u003cp\u003eA separate botanical detail appears at the bottom left, where the flower’s constituent parts are examined apart from the principal specimen. This small addition changes the register of the plate: the central plant may be admired as an elegant whole, but the subsidiary study encourages closer scrutiny of its anatomy. Along the lower edge, the inscription “Aphyllanthes Monspeliensis \/ Aphyllanthes de Montpellier” identifies the subject in a decorative script whose flowing forms echo the plant’s own narrow leaves.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003eRedouté helped establish a visual language for botanical art in which accuracy and ornament were not competing aims. In this plate, scientific clarity depends upon aesthetic discipline: the uncluttered ground separates each structure, the careful tonal changes explain volume, and the vertical format accommodates the plant’s natural habit. At the same time, the measured asymmetry and rhythmic spacing lend the specimen the poise of a formal portrait.\u003c\/p\u003e\n\n\u003cp\u003eWhat makes Plate 62 particularly engaging is the contrast between its modest subject and its attentive treatment. There is no dense bouquet or theatrical profusion of petals; its interest lies instead in slenderness, interval and minute variation. The roots, anatomical study and botanical inscription establish the plate’s educational purpose, while the ascending stems and clear blue flowers give it an enduring compositional elegance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/it\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 36x24in (90x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/it\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/it\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/it\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/it\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"A4 (210x297mm) \/ Art print","offer_id":59991623893376,"sku":null,"price":227.0,"currency_code":"CNY","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59991623926144,"sku":null,"price":545.0,"currency_code":"CNY","in_stock":true},{"title":"A4 (210x297mm) \/ Framed canvas","offer_id":59991623958912,"sku":null,"price":636.0,"currency_code":"CNY","in_stock":true},{"title":"12x18in (30x45cm) \/ Art print","offer_id":59991623991680,"sku":null,"price":354.0,"currency_code":"CNY","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed art print","offer_id":59991624024448,"sku":null,"price":953.0,"currency_code":"CNY","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed 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