Rare Old Map of Naples by Vallardi, 1868: Via Toledo, Quartieri Spagnoli, Castel dell'Ovo, Villa Comunale, Teatro San Carlo
20% di sconto su 2 — 33% di sconto su 3
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Valido su tutte le mappe standard e le stampe d'arte fine. Puoi mescolare e abbinare qualsiasi design.
Se desideri spedire articoli a più indirizzi, ti preghiamo di contattarci prima di effettuare il tuo ordine.
Le commissioni personalizzate e su misura sono escluse.
Contattaci se hai domande
20% di sconto su 2 — 33% di sconto su 3
Aggiungi qualsiasi due articoli idonei al tuo carrello per ricevere 20% di sconto. Aggiungi un terzo e sarà gratuito (equivalente a 33% di sconto quando acquisti tre).
Nessun codice necessario — l'offerta si applica automaticamente al checkout.
Valido su tutte le mappe standard e le stampe d'arte fine. Puoi mescolare e abbinare qualsiasi design.
Se desideri spedire articoli a più indirizzi, ti preghiamo di contattarci prima di effettuare il tuo ordine.
Le commissioni personalizzate e su misura sono escluse.
Contattaci se hai domande
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➢ Type the exact size in millimetres
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Gift message & custom finish

If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
You can also contact us before you order, if you prefer!

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Pianta della citta di Napoli, issued in 1868 by the Milanese cartographer Francesco Vallardi, captures the city at a pivotal moment—newly national yet indelibly Neapolitan. Vallardi’s reputation for precise urban mapping shows in the densely lettered street network, the careful delineation of churches and civic monuments, and the eloquent rendering of the shoreline curving along the Bay of Naples. The plan privileges the living city: quarters spill into one another, lanes narrow into vici, and grand thoroughfares push outward toward new connections. An extensive index anchors the composition, transforming the sheet into a navigable catalogue of parishes, theaters, palaces, and piazze, and revealing Naples as both a sacred landscape and a bustling, modernizing port.
The map excels at showing how Naples’ ancient core still structures daily life. The old Greco-Roman decumani run like spines across the center, with Via dei Tribunali—Decumano Maggiore—clearly marked and bound by a thicket of vici: Vico di Porta S. Gennaro, Vico S. Pietro a Majella, and Vico della Pietà among them. To the west, the Quartieri Spagnoli emerges in tight relief, its grid of climbs and cut-throughs—Vico Trinità degli Spagnoli, Vico Lungo del Gelso, Vico di Montecalvario—pressing against the elegant north–south artery of Via Toledo. The presence of both Via Toledo and Via Roma signals an era of shifting toponyms, while side streets like Vico S. Anna di Palazzo and the booksellers’ Largo dei Librai preserve a neighborhood-scale intimacy.
Along the waterfront, Vallardi stages Naples as a theater facing the sea. The coastal promenade and roads, including Via Caracciolo and the approaches of Via Comunale and Santa Lucia, frame the Villa Comunale gardens and guide the eye toward the port basins and the medieval mass of Castel Nuovo. Out on the promontory, Castel dell’Ovo anchors the maritime skyline, while the map’s graded slopes and staircase-streets—such as Salita Tredici—indicate the dramatic rise toward Sant’Elmo and the Certosa di San Martino. Eastward, the new linearity of Corso Garibaldi and the route “via e porta di Napoli” announce the city’s engagement with rail and regional trade, balancing picturesque shorelines with purposeful circulation.
Religious and cultural Naples is everywhere inscribed. The Duomo and the precincts around Porta San Gennaro punctuate the Decumano with processional gravity; great mendicant houses—Santa Chiara and San Domenico Maggiore—anchor monastic enclaves within the medieval weave. The conservatory at San Pietro a Majella, hinted at in nearby street names, testifies to the city’s musical preeminence, while the district of the Belle Arti signals the academic world taking root in the north of the old center. Toward the royal precinct, Via San Carlo and Via Santa Brigida converge upon Teatro di San Carlo, the Palazzo Reale, and Piazza del Plebiscito—monuments Vallardi numbers and keys with care, turning devotion, learning, and spectacle into a legible urban circuit.
Vallardi’s craft makes this an especially notable city map: a harmonization of natural amphitheater and human labyrinth. Fine linework differentiates boulevards from vici, terraces from escarpments, and civic from ecclesiastical space, while the comprehensive index invites scholarly cross-reference as much as practical wayfinding. The coexistence of names like Via Roma, Corso Garibaldi, and Via Giuseppe Mazzini with venerable lanes and cloisters registers post-unification impulses without effacing memory. As a portrait of Naples in 1868—royal capital turned national metropolis—it reveals a city negotiating modern throughput and historic density, sea-borne commerce and hilltop refuge, making it a rich primary source for historians and a captivating guide for the curious.
Streets and roads on this map
- Via Caracciolo
- Via Comunale
- Via San Carlo
- Via Santa Brigida
- Via Toledo
- Via Roma
- Vico degli Innamorati
- Vico Lungo del Gelso
- Vico S. Maria dell'Agnello
- Vico S. Anna di Palazzo
- Vico S. Giovanni Maggiore
- Vico S. Matteo
- Vico S. Pasquale
- Vico S. Pietro a Majella
- Vico della Pietà
- Vico delle Belle Arti
- Vico di Montecalvario
- Vico di Nocera
- Vico di Porta S. Gennaro
- Vico di San Giuliano
- Vico di San Giovanni
- Vico del Fossato
- Vico del Pozzo
- Vico della Pace
- Vico Trinità degli Spagnoli
- Vico, Salita Tredici
- Corso Garibaldi
- Largo dei Librai
- Via dei Tribunali
- Via e Porta di Napoli
- Via Giuseppe Mazzini
Notable Features & Landmarks
- Detailed streets and urban layout of Naples
- Notable landmarks and buildings, including churches
- The coastline and surrounding landscape
- Index of important locations and points of interest
Historical and design context
- Name of the map: Pianta della citta di Napoli
- Date created: 1868
- Mapmaker: Francesco Vallardi (mid-19th-century Italian cartographer known for detailed urban maps)
- Countries/Regions represented: Naples, Italy
- Design/style: detailed depiction of urban and natural features in a classic 19th-century cartographic style
- Key themes: urban design, natural geography, religious sites, and significant landmarks; highlights densely packed urban areas and the city–coastline relationship
- Historical significance: a record of 19th-century Naples reflecting its architectural, cultural, and religious identity
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
Please note: the labels on this map are hard to read if you order a map that is 16in (40cm) or smaller. The map is still very attractive, but if you would like to read the map easily, please buy a larger size.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 5-year guarantee.
My standard frame is a gallery style black ash hardwood frame. It is simple and quite modern looking. My standard frame is around 20mm (0.8in) wide.
I use super-clear acrylic (perspex/acrylite) for the frame glass. It's lighter and safer than glass - and it looks better, as the reflectivity is lower.
Six standard frame colours are available for free (black, dark brown, dark grey, oak, white and antique gold). Custom framing and mounting/matting is available if you're looking for something else.
Most maps, art and illustrations are also available as a framed canvas. We use matte (not shiny) cotton canvas, stretch it over a sustainably sourced box wood frame, and then 'float' the piece within a wood frame. The end result is quite beautiful, and there's no glazing to get in the way.
All frames are provided "ready to hang", with either a string or brackets on the back. Very large frames will have heavy duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
See some examples of my framed maps and framed canvas maps.
Alternatively, I can also supply old maps and artwork on canvas, foam board, cotton rag and other materials.
If you want to frame your map or artwork yourself, please read my size guide first.
My maps are extremely high quality reproductions of original maps.
I source original, rare maps from libraries, auction houses and private collections around the world, restore them at my London workshop, and then use specialist giclée inks and printers to create beautiful maps that look even better than the original.
My maps are printed on acid-free archival matte (not glossy) paper that feels very high quality and almost like card. In technical terms the paper weight/thickness is 10mil/200gsm. It's perfect for framing.
I print with Epson ultrachrome giclée UV fade resistant pigment inks - some of the best inks you can find.
I can also make maps on canvas, cotton rag and other exotic materials.
Learn more about The Unique Maps Co.
Map personalisation
If you're looking for the perfect anniversary or housewarming gift, I can personalise your map to make it truly unique. For example, I can add a short message, or highlight an important location, or add your family's coat of arms.
The options are almost infinite. Please see my map personalisation page for some wonderful examples of what's possible.
To order a personalised map, select "personalise your map" before adding it to your basket.
Get in touch if you're looking for more complex customisations and personalisations.
Map ageing
I have been asked hundreds of times over the years by customers if they could buy a map that looks even older.
Well, now you can, by selecting Aged before you add a map to your basket.
All the product photos you see on this page show the map in its Original form. This is what the map looks like today.
If you select Aged, I will age your map by hand, using a special and unique process developed through years of studying old maps, talking to researchers to understand the chemistry of aging paper, and of course... lots of practice!
If you're unsure, stick to the Original colour of the map. If you want something a bit darker and older looking, go for Aged.
Se non sei soddisfatto del tuo ordine per qualsiasi motivo, contattami per un rimborso senza problemi. Si prega di consultare la nostra politica di reso e rimborso per ulteriori informazioni.
Sono molto sicuro che ti piacerà la tua mappa restaurata o la stampa d'arte. Lo faccio dal 1984. Sono un venditore Etsy a 5 stelle. Ho venduto decine di migliaia di mappe e stampe d'arte e ho oltre 5.000 recensioni reali a 5 stelle.
Utilizzo un processo unico per restaurare mappe e opere d'arte che richiede molto tempo e lavoro. Trovare le mappe e le illustrazioni originali può richiedere mesi. Utilizzo tecnologia all'avanguardia e incredibilmente costosa per scannerizzare e restaurarle. Di conseguenza, garantisco che le mie mappe e stampe d'arte siano superiori alle altre - ecco perché posso offrire un rimborso senza problemi.
Quasi tutte le mie mappe e stampe d'arte sembrano fantastiche a grandi dimensioni (200 cm, 6,5 piedi+) e posso anche incorniciarle e consegnarle a te, tramite un corriere speciale per oggetti di grandi dimensioni. Contattami per discutere delle tue esigenze specifiche.
Or try searching for something!
Questo servizio non è attualmente disponibile,
ci scusiamo per l'inconveniente.
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Le opzioni di cornici sono solo a scopo illustrativo.
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Pianta della citta di Napoli, issued in 1868 by the Milanese cartographer Francesco Vallardi, captures the city at a pivotal moment—newly national yet indelibly Neapolitan. Vallardi’s reputation for precise urban mapping shows in the densely lettered street network, the careful delineation of churches and civic monuments, and the eloquent rendering of the shoreline curving along the Bay of Naples. The plan privileges the living city: quarters spill into one another, lanes narrow into vici, and grand thoroughfares push outward toward new connections. An extensive index anchors the composition, transforming the sheet into a navigable catalogue of parishes, theaters, palaces, and piazze, and revealing Naples as both a sacred landscape and a bustling, modernizing port.
The map excels at showing how Naples’ ancient core still structures daily life. The old Greco-Roman decumani run like spines across the center, with Via dei Tribunali—Decumano Maggiore—clearly marked and bound by a thicket of vici: Vico di Porta S. Gennaro, Vico S. Pietro a Majella, and Vico della Pietà among them. To the west, the Quartieri Spagnoli emerges in tight relief, its grid of climbs and cut-throughs—Vico Trinità degli Spagnoli, Vico Lungo del Gelso, Vico di Montecalvario—pressing against the elegant north–south artery of Via Toledo. The presence of both Via Toledo and Via Roma signals an era of shifting toponyms, while side streets like Vico S. Anna di Palazzo and the booksellers’ Largo dei Librai preserve a neighborhood-scale intimacy.
Along the waterfront, Vallardi stages Naples as a theater facing the sea. The coastal promenade and roads, including Via Caracciolo and the approaches of Via Comunale and Santa Lucia, frame the Villa Comunale gardens and guide the eye toward the port basins and the medieval mass of Castel Nuovo. Out on the promontory, Castel dell’Ovo anchors the maritime skyline, while the map’s graded slopes and staircase-streets—such as Salita Tredici—indicate the dramatic rise toward Sant’Elmo and the Certosa di San Martino. Eastward, the new linearity of Corso Garibaldi and the route “via e porta di Napoli” announce the city’s engagement with rail and regional trade, balancing picturesque shorelines with purposeful circulation.
Religious and cultural Naples is everywhere inscribed. The Duomo and the precincts around Porta San Gennaro punctuate the Decumano with processional gravity; great mendicant houses—Santa Chiara and San Domenico Maggiore—anchor monastic enclaves within the medieval weave. The conservatory at San Pietro a Majella, hinted at in nearby street names, testifies to the city’s musical preeminence, while the district of the Belle Arti signals the academic world taking root in the north of the old center. Toward the royal precinct, Via San Carlo and Via Santa Brigida converge upon Teatro di San Carlo, the Palazzo Reale, and Piazza del Plebiscito—monuments Vallardi numbers and keys with care, turning devotion, learning, and spectacle into a legible urban circuit.
Vallardi’s craft makes this an especially notable city map: a harmonization of natural amphitheater and human labyrinth. Fine linework differentiates boulevards from vici, terraces from escarpments, and civic from ecclesiastical space, while the comprehensive index invites scholarly cross-reference as much as practical wayfinding. The coexistence of names like Via Roma, Corso Garibaldi, and Via Giuseppe Mazzini with venerable lanes and cloisters registers post-unification impulses without effacing memory. As a portrait of Naples in 1868—royal capital turned national metropolis—it reveals a city negotiating modern throughput and historic density, sea-borne commerce and hilltop refuge, making it a rich primary source for historians and a captivating guide for the curious.
Streets and roads on this map
- Via Caracciolo
- Via Comunale
- Via San Carlo
- Via Santa Brigida
- Via Toledo
- Via Roma
- Vico degli Innamorati
- Vico Lungo del Gelso
- Vico S. Maria dell'Agnello
- Vico S. Anna di Palazzo
- Vico S. Giovanni Maggiore
- Vico S. Matteo
- Vico S. Pasquale
- Vico S. Pietro a Majella
- Vico della Pietà
- Vico delle Belle Arti
- Vico di Montecalvario
- Vico di Nocera
- Vico di Porta S. Gennaro
- Vico di San Giuliano
- Vico di San Giovanni
- Vico del Fossato
- Vico del Pozzo
- Vico della Pace
- Vico Trinità degli Spagnoli
- Vico, Salita Tredici
- Corso Garibaldi
- Largo dei Librai
- Via dei Tribunali
- Via e Porta di Napoli
- Via Giuseppe Mazzini
Notable Features & Landmarks
- Detailed streets and urban layout of Naples
- Notable landmarks and buildings, including churches
- The coastline and surrounding landscape
- Index of important locations and points of interest
Historical and design context
- Name of the map: Pianta della citta di Napoli
- Date created: 1868
- Mapmaker: Francesco Vallardi (mid-19th-century Italian cartographer known for detailed urban maps)
- Countries/Regions represented: Naples, Italy
- Design/style: detailed depiction of urban and natural features in a classic 19th-century cartographic style
- Key themes: urban design, natural geography, religious sites, and significant landmarks; highlights densely packed urban areas and the city–coastline relationship
- Historical significance: a record of 19th-century Naples reflecting its architectural, cultural, and religious identity
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
Please note: the labels on this map are hard to read if you order a map that is 16in (40cm) or smaller. The map is still very attractive, but if you would like to read the map easily, please buy a larger size.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

