Rare Old Map of 8th Century Islamic World by Haas, 1746: Mecca, Damascus, Baghdad, Sassanid, Byzantium
Restaurata nel nostro laboratorio di Londra dalla mappa originale del 1746 e stampata in qualità museale. Descrizione completa
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Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.Restaurata dalla mappa originale del 1746 e stampata in qualità museale. Descrizione completa
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Johann Matthäus Haas’s Imperium Arabicum, Sarcenicum, Muhammedicum Primarium (1746) presents a sweeping portrait of the early Islamic world at its zenith, charting...
Continua a leggereJohann Matthäus Haas’s Imperium Arabicum, Sarcenicum, Muhammedicum Primarium (1746) presents a sweeping portrait of the early Islamic world at its zenith, charting the 8th‑century arc of expansion from the borders of China and Central Asia to North Africa, Sicily, and the Iberian Peninsula. Political territories are deftly distinguished by washes with boundaries heightened in red and green, while an ornate 18th‑century cartouche frames the composition with period elegance. The map balances aesthetic refinement with rigorous detail, plotting primary cities from Mecca and Medina to Damascus, Jerusalem, Cairo, Baghdad, and beyond. It is a compelling synthesis of historical geography and Enlightenment scholarship, revealing how a single polity came to span continents and seas within little more than a century.
Historically, the map is riveting for how it narrates momentum: the Rashidun and Umayyad conquests that dissolved the Sassanid Empire and wrenched key provinces from Byzantium. The Levantine and Egyptian crucibles—Damascus, Antioch, Jerusalem, Alexandria, and Cairo—register as pivotal nodes in this civilizational shift, while the spread across the Maghreb to Fez, Tunis, Marrakech, and Tripoli foreshadows the leap into Europe at Seville, Toledo, and Córdoba. Haas’s title signals a vision of unity “before the quadripartite division,” evoking the brief but transformative moment before the caliphate’s later fragmentation. The result is a political tableau where frontiers read as living lines—outcomes of campaigns, diplomacy, and religious affiliation rather than static borders.
Equally striking is the cartographic attention to the empire’s connective tissue: trade corridors and routes of conquest thread through mountain chains, deserts, and major rivers—the Nile, Tigris, and Euphrates—linking ports and caravan cities. The map’s bilingual texture, with toponyms appearing in Latin alongside Arabic forms, underscores the era’s socio‑cultural unification informed by the Quran’s legal and moral order. Centers of governance and learning—Kufa, Basra, Baghdad, Samarkand, and Bukhara—sit in dialogue with Mediterranean entrepôts such as Alexandria and Tunis, while sacred Mecca and Medina anchor the spiritual geography. The composition invites the viewer to read not just territory, but circulation: of ideas, scholars, merchants, and armies.
Haas’s 18th‑century sensibility infuses the work with both clarity and ceremony. Color cues cleanly partition dominions, while finely etched rivers, coastlines, and mountain ranges heighten navigational intelligibility. The inclusion of multiple scales—German miles and Arabic miles—signals a sophisticated, comparative approach to distance, bridging European and Islamic measures to aid cross‑cultural understanding. Deliberate marks trace the arcs of advance and key passes, creating a didactic chronicle of expansion that is as instructive as it is beautiful. The ornate cartouche, emblematic of the period’s artistry, anchors the scholarly narrative with visual flourish.
For the collector and historian alike, this map is an indispensable lens onto the political and cultural dynamics of the early Islamic world. It captures the architecture of power across three continents, the reconfiguration of late antique empires, and the emergence of new urban constellations from Córdoba and Seville to Baghdad and Samarkand. By uniting sacred heartlands with frontier provinces, it renders a coherent image of governance, law, commerce, and faith at imperial scale. Imperium Arabicum rewards close study, revealing fresh connections with each viewing and standing as a testament to the reach—and cohesion—of an extraordinary civilization.
Places on this map
- Mecca
- Medina
- Damascus
- Baghdad
- Cairo
- Jerusalem
- Antioch
- Alexandria
- Tripoli
- Seville
- Toledo
- Cordoba
- Tabriz
- Samarkand
- Basra
- Fez
- Tunis
- Marrakech
- Bukhara
- Kufa
Notable Features & Landmarks
- Sassanid Empire territories
- Borders of the Byzantine Empire
- Primary cities and towns, possibly labeled with Arabic and Latin names
- Major rivers and geographic features
- Trade routes and significant paths of conquests marked
- Scale for distance in various units (German miles, Arabic miles, etc.)
- Political boundaries highlighted in red and green
Historical and design context
- Map Title: Imperium Arabicum, Sarcenicum, Muhammedicum Primarium pros statu ante divisionem quadripartitam.
- Map Maker: Johann Matthaus Haas
- Year of Production: 1746
- Represents the Muslim/Arab Empire in the 8th century
- Illustrates early Muslim conquests and the territorial expanse of the Arabic Empire
- Details the significant growth of the Islamic Caliphate from the 7th century onwards under the Rashidun and Umayyad Caliphates
- Highlights the collapse of the Sassanid Empire and parts of the Byzantine Empire due to ongoing conflicts
- Key themes: political geography of the Arab Empire at its peak; socio-cultural unification across vast territories influenced by the Quran
- Regions depicted: borders of China, Indian subcontinent, Central Asia, Middle East, North Africa, and parts of Europe (notably Sicily and the Iberian Peninsula)
- Design elements: ornate 18th-century cartouche; use of color to demarcate areas and significant landmarks
- Historical significance: essential for understanding the political and cultural dynamics and vast reach of early Islamic governance
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
This map is wider than most maps, which would make it a perfect statement piece above a mantelpiece, sofa or desk.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Johann Matthäus Haas’s Imperium Arabicum, Sarcenicum, Muhammedicum Primarium (1746) presents a sweeping portrait of the early Islamic world at its zenith, charting the 8th‑century arc of expansion from the borders of China and Central Asia to North Africa, Sicily, and the Iberian Peninsula. Political territories are deftly distinguished by washes with boundaries heightened in red and green, while an ornate 18th‑century cartouche frames the composition with period elegance. The map balances aesthetic refinement with rigorous detail, plotting primary cities from Mecca and Medina to Damascus, Jerusalem, Cairo, Baghdad, and beyond. It is a compelling synthesis of historical geography and Enlightenment scholarship, revealing how a single polity came to span continents and seas within little more than a century.
Historically, the map is riveting for how it narrates momentum: the Rashidun and Umayyad conquests that dissolved the Sassanid Empire and wrenched key provinces from Byzantium. The Levantine and Egyptian crucibles—Damascus, Antioch, Jerusalem, Alexandria, and Cairo—register as pivotal nodes in this civilizational shift, while the spread across the Maghreb to Fez, Tunis, Marrakech, and Tripoli foreshadows the leap into Europe at Seville, Toledo, and Córdoba. Haas’s title signals a vision of unity “before the quadripartite division,” evoking the brief but transformative moment before the caliphate’s later fragmentation. The result is a political tableau where frontiers read as living lines—outcomes of campaigns, diplomacy, and religious affiliation rather than static borders.
Equally striking is the cartographic attention to the empire’s connective tissue: trade corridors and routes of conquest thread through mountain chains, deserts, and major rivers—the Nile, Tigris, and Euphrates—linking ports and caravan cities. The map’s bilingual texture, with toponyms appearing in Latin alongside Arabic forms, underscores the era’s socio‑cultural unification informed by the Quran’s legal and moral order. Centers of governance and learning—Kufa, Basra, Baghdad, Samarkand, and Bukhara—sit in dialogue with Mediterranean entrepôts such as Alexandria and Tunis, while sacred Mecca and Medina anchor the spiritual geography. The composition invites the viewer to read not just territory, but circulation: of ideas, scholars, merchants, and armies.
Haas’s 18th‑century sensibility infuses the work with both clarity and ceremony. Color cues cleanly partition dominions, while finely etched rivers, coastlines, and mountain ranges heighten navigational intelligibility. The inclusion of multiple scales—German miles and Arabic miles—signals a sophisticated, comparative approach to distance, bridging European and Islamic measures to aid cross‑cultural understanding. Deliberate marks trace the arcs of advance and key passes, creating a didactic chronicle of expansion that is as instructive as it is beautiful. The ornate cartouche, emblematic of the period’s artistry, anchors the scholarly narrative with visual flourish.
For the collector and historian alike, this map is an indispensable lens onto the political and cultural dynamics of the early Islamic world. It captures the architecture of power across three continents, the reconfiguration of late antique empires, and the emergence of new urban constellations from Córdoba and Seville to Baghdad and Samarkand. By uniting sacred heartlands with frontier provinces, it renders a coherent image of governance, law, commerce, and faith at imperial scale. Imperium Arabicum rewards close study, revealing fresh connections with each viewing and standing as a testament to the reach—and cohesion—of an extraordinary civilization.
Places on this map
- Mecca
- Medina
- Damascus
- Baghdad
- Cairo
- Jerusalem
- Antioch
- Alexandria
- Tripoli
- Seville
- Toledo
- Cordoba
- Tabriz
- Samarkand
- Basra
- Fez
- Tunis
- Marrakech
- Bukhara
- Kufa
Notable Features & Landmarks
- Sassanid Empire territories
- Borders of the Byzantine Empire
- Primary cities and towns, possibly labeled with Arabic and Latin names
- Major rivers and geographic features
- Trade routes and significant paths of conquests marked
- Scale for distance in various units (German miles, Arabic miles, etc.)
- Political boundaries highlighted in red and green
Historical and design context
- Map Title: Imperium Arabicum, Sarcenicum, Muhammedicum Primarium pros statu ante divisionem quadripartitam.
- Map Maker: Johann Matthaus Haas
- Year of Production: 1746
- Represents the Muslim/Arab Empire in the 8th century
- Illustrates early Muslim conquests and the territorial expanse of the Arabic Empire
- Details the significant growth of the Islamic Caliphate from the 7th century onwards under the Rashidun and Umayyad Caliphates
- Highlights the collapse of the Sassanid Empire and parts of the Byzantine Empire due to ongoing conflicts
- Key themes: political geography of the Arab Empire at its peak; socio-cultural unification across vast territories influenced by the Quran
- Regions depicted: borders of China, Indian subcontinent, Central Asia, Middle East, North Africa, and parts of Europe (notably Sicily and the Iberian Peninsula)
- Design elements: ornate 18th-century cartouche; use of color to demarcate areas and significant landmarks
- Historical significance: essential for understanding the political and cultural dynamics and vast reach of early Islamic governance
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
This map is wider than most maps, which would make it a perfect statement piece above a mantelpiece, sofa or desk.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Every Unique Maps piece begins with an authentic cartographic source or an original design from our London studio.
For our historic maps, we source rare originals from libraries, archives, auction houses and private collections around the world. We carefully restore each map for print—repairing age-related damage, balancing colour and improving clarity while preserving its original detail, texture and character.
Once restored, the map is prepared for your chosen size and finish. Your piece is then printed and, where selected, framed close to its delivery destination.
Our map prints use acid-free 200gsm archival matte paper and fade-resistant pigment inks, creating a rich, non-glossy finish designed to last. Framed maps use crystal-clear optical acrylic and arrive ready to hang.
Canvas, cotton-rag and other specialist presentations are also available. Learn more about our materials and finishes.
Personalising your map
You can add a short title or dedication, mark one meaningful place, or request one considered visual detail. For personalised designs, we send a proof before printing and you can request changes before approval.
For more complex bespoke commissions, contact our design team.
Original or Aged
Choose Original for true-to-source colour, or Aged for a warmer, richer antique character created with our specialist ageing process. See examples of our Aged maps.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
Oppure cerca qualcosa nel negozio.
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Johann Matthäus Haas’s Imperium Arabicum, Sarcenicum, Muhammedicum Primarium (1746) presents a sweeping portrait of the early Islamic world at its zenith, charting the 8th‑century arc of expansion from the borders of China and Central Asia to North Africa, Sicily, and the Iberian Peninsula. Political territories are deftly distinguished by washes with boundaries heightened in red and green, while an ornate 18th‑century cartouche frames the composition with period elegance. The map balances aesthetic refinement with rigorous detail, plotting primary cities from Mecca and Medina to Damascus, Jerusalem, Cairo, Baghdad, and beyond. It is a compelling synthesis of historical geography and Enlightenment scholarship, revealing how a single polity came to span continents and seas within little more than a century.
Historically, the map is riveting for how it narrates momentum: the Rashidun and Umayyad conquests that dissolved the Sassanid Empire and wrenched key provinces from Byzantium. The Levantine and Egyptian crucibles—Damascus, Antioch, Jerusalem, Alexandria, and Cairo—register as pivotal nodes in this civilizational shift, while the spread across the Maghreb to Fez, Tunis, Marrakech, and Tripoli foreshadows the leap into Europe at Seville, Toledo, and Córdoba. Haas’s title signals a vision of unity “before the quadripartite division,” evoking the brief but transformative moment before the caliphate’s later fragmentation. The result is a political tableau where frontiers read as living lines—outcomes of campaigns, diplomacy, and religious affiliation rather than static borders.
Equally striking is the cartographic attention to the empire’s connective tissue: trade corridors and routes of conquest thread through mountain chains, deserts, and major rivers—the Nile, Tigris, and Euphrates—linking ports and caravan cities. The map’s bilingual texture, with toponyms appearing in Latin alongside Arabic forms, underscores the era’s socio‑cultural unification informed by the Quran’s legal and moral order. Centers of governance and learning—Kufa, Basra, Baghdad, Samarkand, and Bukhara—sit in dialogue with Mediterranean entrepôts such as Alexandria and Tunis, while sacred Mecca and Medina anchor the spiritual geography. The composition invites the viewer to read not just territory, but circulation: of ideas, scholars, merchants, and armies.
Haas’s 18th‑century sensibility infuses the work with both clarity and ceremony. Color cues cleanly partition dominions, while finely etched rivers, coastlines, and mountain ranges heighten navigational intelligibility. The inclusion of multiple scales—German miles and Arabic miles—signals a sophisticated, comparative approach to distance, bridging European and Islamic measures to aid cross‑cultural understanding. Deliberate marks trace the arcs of advance and key passes, creating a didactic chronicle of expansion that is as instructive as it is beautiful. The ornate cartouche, emblematic of the period’s artistry, anchors the scholarly narrative with visual flourish.
For the collector and historian alike, this map is an indispensable lens onto the political and cultural dynamics of the early Islamic world. It captures the architecture of power across three continents, the reconfiguration of late antique empires, and the emergence of new urban constellations from Córdoba and Seville to Baghdad and Samarkand. By uniting sacred heartlands with frontier provinces, it renders a coherent image of governance, law, commerce, and faith at imperial scale. Imperium Arabicum rewards close study, revealing fresh connections with each viewing and standing as a testament to the reach—and cohesion—of an extraordinary civilization.
Places on this map
- Mecca
- Medina
- Damascus
- Baghdad
- Cairo
- Jerusalem
- Antioch
- Alexandria
- Tripoli
- Seville
- Toledo
- Cordoba
- Tabriz
- Samarkand
- Basra
- Fez
- Tunis
- Marrakech
- Bukhara
- Kufa
Notable Features & Landmarks
- Sassanid Empire territories
- Borders of the Byzantine Empire
- Primary cities and towns, possibly labeled with Arabic and Latin names
- Major rivers and geographic features
- Trade routes and significant paths of conquests marked
- Scale for distance in various units (German miles, Arabic miles, etc.)
- Political boundaries highlighted in red and green
Historical and design context
- Map Title: Imperium Arabicum, Sarcenicum, Muhammedicum Primarium pros statu ante divisionem quadripartitam.
- Map Maker: Johann Matthaus Haas
- Year of Production: 1746
- Represents the Muslim/Arab Empire in the 8th century
- Illustrates early Muslim conquests and the territorial expanse of the Arabic Empire
- Details the significant growth of the Islamic Caliphate from the 7th century onwards under the Rashidun and Umayyad Caliphates
- Highlights the collapse of the Sassanid Empire and parts of the Byzantine Empire due to ongoing conflicts
- Key themes: political geography of the Arab Empire at its peak; socio-cultural unification across vast territories influenced by the Quran
- Regions depicted: borders of China, Indian subcontinent, Central Asia, Middle East, North Africa, and parts of Europe (notably Sicily and the Iberian Peninsula)
- Design elements: ornate 18th-century cartouche; use of color to demarcate areas and significant landmarks
- Historical significance: essential for understanding the political and cultural dynamics and vast reach of early Islamic governance
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
This map is wider than most maps, which would make it a perfect statement piece above a mantelpiece, sofa or desk.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.