{"product_id":"veltheimia-glauca-plate-20-by-pierre-joseph-redoute-1805","title":"Veltheimia glauca (Plate 20) by Pierre Joseph Redouté, 1805","description":"\u003cp\u003ePierre Joseph Redouté’s \u003cem\u003eLes liliacées, Pl. 20\u003c\/em\u003e, dated 1805, presents \u003cem\u003eVeltheimia glauca\u003c\/em\u003e as a poised vertical study: a tall stem crowned by a dense cluster of pink tubular flowers, rising from a sculptural arrangement of broad green leaves. The plant occupies the centre of an otherwise pale, spacious field. Warm rose tones and small yellow accents enliven the flower head, while the foliage curls and overlaps below in cool, subtly varied greens. This balance between concentrated botanical detail and generous empty space gives the plate both scientific clarity and unusual visual grace.\u003c\/p\u003e\n\n\u003cp\u003eThe study belongs to Redouté’s celebrated \u003cem\u003eLes liliacées\u003c\/em\u003e, published between 1805 and 1816 and devoted to lilies and related flowering plants. Redouté was among the defining botanical artists of the early nineteenth century, admired for reconciling close observation with the refined taste of his period. His plants are sufficiently precise to support study, yet they never appear reduced to specimens alone: stems bend rhythmically, leaves are arranged with compositional intelligence, and colour remains delicate without becoming vague. Here, \u003cem\u003eVeltheimia glauca\u003c\/em\u003e is isolated and ordered so that its structure can be understood at a glance, while retaining the presence of a living plant.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe flower cluster commands the upper part of the composition. Numerous narrow blossoms hang around the tip of the stem, their pink colouring deepening and fading in gentle transitions rather than forming a single uniform mass. Minute yellow tips punctuate the cluster, bringing definition to individual flowers and preventing the crown from becoming visually heavy. Fine touches along the petals create texture, while the slender central stalk holds the elaborate inflorescence above the broader forms beneath it.\u003c\/p\u003e\n\n\u003cp\u003eThe leaves provide the plate’s most expressive movement. Long, substantial blades rise and fold around the stem, their wavy margins creating a sequence of curves and counter-curves. Some turn towards the viewer; others overlap or recede, producing a restrained sense of depth against the flat pale background. Carefully articulated veins and soft tonal shading suggest a smooth, slightly glossy surface. Near the lower edge, the botanical names “\u003cem\u003eVeltheimia glauca\u003c\/em\u003e” and “Veltheimia glauque” identify the subject without competing with it, while a small subsidiary botanical detail at the lower left extends the plate’s analytical purpose.\u003c\/p\u003e\n\n\u003cp\u003eRedouté’s use of negative space is especially effective. Nothing distracts from the distinction between the narrow upright stem, the compact flowering crown and the expansive foliage below. The asymmetry of the leaves prevents the arrangement from feeling diagrammatic, yet every part remains legible. Even the faint shadowing beneath overlapping forms is controlled, giving the plant volume while preserving the lightness associated with botanical plate design.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003eBotanical illustration in Redouté’s period served both scientific enquiry and cultivated appreciation. Works such as \u003cem\u003eLes liliacées\u003c\/em\u003e allowed plants to be examined through images that recorded growth, colour and anatomical detail while also satisfying a strong contemporary appetite for elegantly produced natural history. Redouté’s particular distinction lies in this dual register: his studies communicate information through separation and precision, but their rhythms of line and colour also reward sustained aesthetic attention.\u003c\/p\u003e\n\n\u003cp\u003ePlate 20 exemplifies that achievement with striking economy. The coral-pink flowers, yellow-tipped details and layered blue-green foliage form a restrained yet memorable palette, while the quiet ground gives each contour room to register. It is an image of a named botanical subject, but also a carefully constructed portrait in which the distinctive bearing of \u003cem\u003eVeltheimia glauca\u003c\/em\u003e becomes the entire focus.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/it\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 36x24in (90x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/it\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/it\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/it\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/it\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"A4 (210x297mm) \/ Art print","offer_id":59991600464256,"sku":null,"price":227.0,"currency_code":"CNY","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59991600497024,"sku":null,"price":545.0,"currency_code":"CNY","in_stock":true},{"title":"A4 (210x297mm) \/ Framed canvas","offer_id":59991600529792,"sku":null,"price":636.0,"currency_code":"CNY","in_stock":true},{"title":"12x18in (30x45cm) \/ Art print","offer_id":59991600562560,"sku":null,"price":354.0,"currency_code":"CNY","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed art print","offer_id":59991600595328,"sku":null,"price":953.0,"currency_code":"CNY","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed 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