{"product_id":"common-hyacinth-hyacinthus-orientalis-plate-44-by-pierre-joseph-redoute-1805","title":"Common Hyacinth (Hyacinthus orientalis, Plate 44) by Pierre Joseph Redouté, 1805","description":"\u003cp\u003ePierre-Joseph Redouté’s \u003cem\u003eLes Liliacées, Pl. 44\u003c\/em\u003e, published in 1805, presents the common hyacinth (\u003cem\u003eHyacinthus orientalis\u003c\/em\u003e) as both a living plant and an object of close botanical study. A slender stem carries a compact cluster of purple flowers above long, blade-like leaves, while the exposed bulb and roots bring the plant’s usually hidden structure into view. Set against an unbroken pale ground, the specimen acquires an almost architectural clarity: leaves rise, overlap and curve outwards, directing the eye towards the richly coloured flower spike.\u003c\/p\u003e\n\n\u003cp\u003eThe plate belongs to Redouté’s celebrated \u003cem\u003eLes Liliacées\u003c\/em\u003e, a series devoted to lilies and related plants that appeared between 1805 and 1816. Working in France at a time of intense interest in natural history and cultivated gardens, Redouté helped establish a form of botanical art in which scientific description and visual refinement were mutually reinforcing. His flowers are precisely differentiated, yet never reduced to dry diagrams. Here, the hyacinth’s recognisable garden presence is balanced by an exacting account of its leaves, stem, individual florets and subterranean bulb.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe composition is vertical but not rigid. At the lower centre, deep green leaves emerge in a close group before separating into distinct, flowing contours. Some remain upright beside the flower stem; others lean and arc away, introducing asymmetry without disturbing the plate’s sense of balance. Fine veins and gradual tonal changes prevent these broad leaves from appearing flat, while their darker greens form a cool foil to the lighter violet and mauve of the flowers.\u003c\/p\u003e\n\n\u003cp\u003eAt the top of the stem, the hyacinth’s many small blossoms are treated individually rather than as a single mass. Petals curl and open in slightly different directions, creating a lively edge around the cluster. Subtle shifts from deeper purple to paler highlights articulate the folded surfaces of each flower. The stem itself bends gently rather than following an exact central axis, a small natural irregularity that gives the specimen a convincing sense of growth.\u003c\/p\u003e\n\n\u003cp\u003eThe bulb at the lower right provides a second focal point. Its rounded form, papery outer layers and fine roots contrast with the smooth leaves above, extending the study from flower to foundation. Labels placed along the lower edge include “\u003cem\u003eHyacinthus orientalis, Var. decumbens\u003c\/em\u003e” and “\u003cem\u003eHyacinthus orientale, Var. redolentum\u003c\/em\u003e”. Such naming anchors the graceful arrangement within the classificatory purpose of botanical illustration, while the abundant negative space ensures that every contour remains legible.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003eRedouté became closely associated with the refined flower painting of early nineteenth-century France, producing studies admired for their accuracy as well as their compositional poise. His career flourished within a culture in which botany, horticulture and collecting were increasingly interconnected. Plants cultivated for rarity, fragrance or ornamental appeal could also become subjects of systematic comparison and publication; botanical plates allowed their identifying structures to be studied beyond the garden itself.\u003c\/p\u003e\n\n\u003cp\u003eThis hyacinth exemplifies Redouté’s ability to reconcile those different ways of looking. The exposed roots, labelled varieties and carefully observed veins belong to the language of natural history, while the ascending rhythm of green leaves and purple flowers gives the plant an independent pictorial elegance. Nothing distracts from the specimen, yet the plate never feels merely clinical: its interest lies in the poised meeting of classification, cultivation and attentive observation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 36x24in (90x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"A4 (210x297mm) \/ Art print","offer_id":59991633559936,"sku":null,"price":227.0,"currency_code":"CNY","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59991633592704,"sku":null,"price":545.0,"currency_code":"CNY","in_stock":true},{"title":"A4 (210x297mm) \/ Framed canvas","offer_id":59991633625472,"sku":null,"price":636.0,"currency_code":"CNY","in_stock":true},{"title":"12x18in (30x45cm) \/ Art print","offer_id":59991633658240,"sku":null,"price":354.0,"currency_code":"CNY","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed art print","offer_id":59991633691008,"sku":null,"price":953.0,"currency_code":"CNY","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed 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