



















Old Map of Persia & Arabia by Colton, 1857: Middle East, Persian Gulf, Zagros Mountains


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Step into the intricate world of 19th-century cartography with "Persia Arabia &c.," a masterwork published in 1857 by the renowned Joseph Hutchins Colton. This exquisite map, produced in New York at the height of Colton’s career, captures the vast and enigmatic landscapes of the Middle East, stretching from the heart of Persia to the sweeping deserts of Arabia and the storied shores of the Persian Gulf. Colton’s signature decorative border and delicate pastel hues frame a region in flux, offering a rare glimpse into a time before the seismic geopolitical shifts that would redefine these lands in the decades to follow.
Joseph Hutchins Colton was celebrated for his meticulous attention to detail and artistry, and this map is a testament to his legacy. His maps were not merely navigational tools but cultural artifacts, designed to inform and inspire. Here, Colton renders the territories of the Ottoman Empire, Persia, Afghanistan, and Beloochistan with remarkable clarity, delineating both political boundaries and physical features. The map’s labeling of regions such as El Ahsa and El Hejer along the Gulf’s southern coast reflects the nomenclature and administrative realities of the era, just before the Ottoman expansion into eastern Arabia.
The map’s geographical detail is as compelling as its historical context. Mountain ranges like the rugged Zagros and Elburz are etched across Persia, while the vast deserts and coastal plains of Arabia are mapped with precision. The shimmering waters of the Persian Gulf, Gulf of Oman, and Arabian Sea define the region’s maritime borders, dotted with evocative features such as the Great Pearl Bank, Goodwin’s Island, and Dahnyi Island. These natural phenomena were of immense economic and cultural importance, especially as the Gulf’s pearling industry flourished in the 19th century.
Cities and towns are meticulously plotted, many bearing names that echo through history and resonate in the modern world. From the bustling metropolis of Tehran and the storied streets of Baghdad to the emerging settlements of Dibbah (Dubai), Abothubbee (Abu Dhabi), and Sharjas Tower (Sharjah), the map charts the rise of urban centers that would later become global hubs. In the Gulf, places like Zabarah, El Katif, and Bahrein are highlighted, while ancient trade cities such as Muscat, Sana, and Mocha anchor the Arabian Peninsula’s southern reaches.
What sets this map apart is its ability to capture a pivotal moment in the region’s history—a crossroads of empire, commerce, and culture. It preserves the memory of a landscape before the modern nation-state, where borders were porous, and identities were shaped by geography as much as by politics. For collectors and connoisseurs, "Persia Arabia &c." is not only a visually stunning artifact but also a window into the dynamic interplay of land, sea, and society that has defined the Middle East for centuries.
Cities and towns on this map
- United Arab Emirates (modern-day):
- Dibbah (Dubai)
- Abothubbee (Abu Dhabi)
- Sharjas Tower (Sharjah)
- Ras al Khyme (Ras Al Khaimah)
- Saudi Arabia (modern-day):
- El Katif (Al Qatif)
- El Ahsa (Al-Hasa/Al-Ahsa)
- Duat (likely Dawhat, near Qatar)
- El Hejer (Al-Hijr/Mada'in Salih)
- Qatar (modern-day):
- Zabarah (Al Zubarah)
- Ras Aufir (likely Ras Laffan or similar)
- Bahrain (modern-day):
- Bahrein (Bahrain)
- Iran (Persia):
- Teheran (Tehran)
- Ispahan (Isfahan)
- Shiraz
- Tabriz
- Mashad (Mashhad)
- Yezd (Yazd)
- Kerman
- Bushire (Bushehr)
- Resht (Rasht)
- Hamadan
- Iraq (Ottoman Empire at the time):
- Bagdad (Baghdad)
- Bassora (Basra)
- Mosul
- Kerbela (Karbala)
- Hillah
- Afghanistan:
- Herat
- Kandahar
- Kabul
- Balkh
- Pakistan (Beloochistan):
- Kelat (Kalat)
- Quetta
- Oman:
- Muscat
- Yemen:
- Sana (Sana'a)
- Mocha
Notable Features & Landmarks
- Persian Gulf (labelled as such)
- Gulf of Oman
- Arabian Sea
- Red Sea
- Caspian Sea (partially visible at the top)
- Outlines of major empires and regions: Ottoman Empire, Persia, Afghanistan, Beloochistan
- Provincial and regional boundaries within these larger entities
- Zagros Mountains (in Persia/Iran)
- Elburz Mountains (north of Persia/Iran)
- Other mountain ranges in Afghanistan and along the Arabian Peninsula
- Bahrain (Bahrein)
- Goodwin's Island
- Dahnyi Island
- The Great Pearl Bank (labelled in the Gulf near Bahrain/Qatar)
- Decorative border typical of Colton’s style
Historical and design context
- Name of the map: Persia Arabia &c.
- Mapmaker/publisher: Joseph Hutchins Colton, a prominent 19th-century American mapmaker known for his detailed and decorative maps, published in New York.
- Date of creation: 1857.
- The map centers on the Arabian Peninsula and the Persian Gulf, and also includes the Ottoman Empire, Persia (modern-day Iran), Afghanistan, Beloochistan (Balochistan), and adjacent regions.
- The map is both a political and physical map, showing borders, provinces, and physical features such as mountain ranges and bodies of water.
- The map predates the Al-Hasa Expedition of 1871, which led to the Ottoman Empire extending its influence over the eastern Arabian Peninsula (El Ahsa/El Hejer region).
- The southern coast of the Gulf is labeled as El Ahsa or El Hejer, reflecting period nomenclature before Ottoman administrative changes.
- Early forms of names for present-day UAE emirates, such as Sharjas Tower (Sharjah), Dibbah (Dubai), Abothubbee (Abu Dhabi), and Ras al Khyme (Ras Al Khaimah), are shown.
- Near Qatar and Bahrain, features such as Ras Aufir, Zabarah, El Katif, Duat, the Great Pearl Bank, Goodwin's Island, and Dahnyi Island are shown.
- The map provides a snapshot of political and geographical knowledge of the region in the mid-19th century, before major geopolitical changes such as the expansion of the Ottoman Empire into eastern Arabia.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 70in (180cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
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➢ Pick the closest size (above)
➢ Provide the exact size in millimetres
➢ Add to bag and checkout as normal
Click here to order a custom size.
2. Customise your map
Personalise your map with framing, hand-drawn customisation, vintage ageing, pop art text, unique 3D styling and moreMessage cadeau & finition personnalisée

Si vous souhaitez ajouter un message cadeau, ou une finition (puzzle, panneau en aluminium, etc.) qui n'est pas disponible ici, veuillez le demander dans la "note de commande" lors de votre passage à la caisse.
Chaque commande est fabriquée sur mesure, donc si vous avez besoin d'ajuster légèrement la taille, ou d'imprimer sur un matériau inhabituel, faites-le nous savoir. Nous avons réalisé des milliers de commandes personnalisées au fil des ans, donc il n'y a (presque) rien que nous ne puissions gérer.
Vous pouvez également nous contacter avant de passer votre commande, si vous le souhaitez !

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Step into the intricate world of 19th-century cartography with "Persia Arabia &c.," a masterwork published in 1857 by the renowned Joseph Hutchins Colton. This exquisite map, produced in New York at the height of Colton’s career, captures the vast and enigmatic landscapes of the Middle East, stretching from the heart of Persia to the sweeping deserts of Arabia and the storied shores of the Persian Gulf. Colton’s signature decorative border and delicate pastel hues frame a region in flux, offering a rare glimpse into a time before the seismic geopolitical shifts that would redefine these lands in the decades to follow.
Joseph Hutchins Colton was celebrated for his meticulous attention to detail and artistry, and this map is a testament to his legacy. His maps were not merely navigational tools but cultural artifacts, designed to inform and inspire. Here, Colton renders the territories of the Ottoman Empire, Persia, Afghanistan, and Beloochistan with remarkable clarity, delineating both political boundaries and physical features. The map’s labeling of regions such as El Ahsa and El Hejer along the Gulf’s southern coast reflects the nomenclature and administrative realities of the era, just before the Ottoman expansion into eastern Arabia.
The map’s geographical detail is as compelling as its historical context. Mountain ranges like the rugged Zagros and Elburz are etched across Persia, while the vast deserts and coastal plains of Arabia are mapped with precision. The shimmering waters of the Persian Gulf, Gulf of Oman, and Arabian Sea define the region’s maritime borders, dotted with evocative features such as the Great Pearl Bank, Goodwin’s Island, and Dahnyi Island. These natural phenomena were of immense economic and cultural importance, especially as the Gulf’s pearling industry flourished in the 19th century.
Cities and towns are meticulously plotted, many bearing names that echo through history and resonate in the modern world. From the bustling metropolis of Tehran and the storied streets of Baghdad to the emerging settlements of Dibbah (Dubai), Abothubbee (Abu Dhabi), and Sharjas Tower (Sharjah), the map charts the rise of urban centers that would later become global hubs. In the Gulf, places like Zabarah, El Katif, and Bahrein are highlighted, while ancient trade cities such as Muscat, Sana, and Mocha anchor the Arabian Peninsula’s southern reaches.
What sets this map apart is its ability to capture a pivotal moment in the region’s history—a crossroads of empire, commerce, and culture. It preserves the memory of a landscape before the modern nation-state, where borders were porous, and identities were shaped by geography as much as by politics. For collectors and connoisseurs, "Persia Arabia &c." is not only a visually stunning artifact but also a window into the dynamic interplay of land, sea, and society that has defined the Middle East for centuries.
Cities and towns on this map
- United Arab Emirates (modern-day):
- Dibbah (Dubai)
- Abothubbee (Abu Dhabi)
- Sharjas Tower (Sharjah)
- Ras al Khyme (Ras Al Khaimah)
- Saudi Arabia (modern-day):
- El Katif (Al Qatif)
- El Ahsa (Al-Hasa/Al-Ahsa)
- Duat (likely Dawhat, near Qatar)
- El Hejer (Al-Hijr/Mada'in Salih)
- Qatar (modern-day):
- Zabarah (Al Zubarah)
- Ras Aufir (likely Ras Laffan or similar)
- Bahrain (modern-day):
- Bahrein (Bahrain)
- Iran (Persia):
- Teheran (Tehran)
- Ispahan (Isfahan)
- Shiraz
- Tabriz
- Mashad (Mashhad)
- Yezd (Yazd)
- Kerman
- Bushire (Bushehr)
- Resht (Rasht)
- Hamadan
- Iraq (Ottoman Empire at the time):
- Bagdad (Baghdad)
- Bassora (Basra)
- Mosul
- Kerbela (Karbala)
- Hillah
- Afghanistan:
- Herat
- Kandahar
- Kabul
- Balkh
- Pakistan (Beloochistan):
- Kelat (Kalat)
- Quetta
- Oman:
- Muscat
- Yemen:
- Sana (Sana'a)
- Mocha
Notable Features & Landmarks
- Persian Gulf (labelled as such)
- Gulf of Oman
- Arabian Sea
- Red Sea
- Caspian Sea (partially visible at the top)
- Outlines of major empires and regions: Ottoman Empire, Persia, Afghanistan, Beloochistan
- Provincial and regional boundaries within these larger entities
- Zagros Mountains (in Persia/Iran)
- Elburz Mountains (north of Persia/Iran)
- Other mountain ranges in Afghanistan and along the Arabian Peninsula
- Bahrain (Bahrein)
- Goodwin's Island
- Dahnyi Island
- The Great Pearl Bank (labelled in the Gulf near Bahrain/Qatar)
- Decorative border typical of Colton’s style
Historical and design context
- Name of the map: Persia Arabia &c.
- Mapmaker/publisher: Joseph Hutchins Colton, a prominent 19th-century American mapmaker known for his detailed and decorative maps, published in New York.
- Date of creation: 1857.
- The map centers on the Arabian Peninsula and the Persian Gulf, and also includes the Ottoman Empire, Persia (modern-day Iran), Afghanistan, Beloochistan (Balochistan), and adjacent regions.
- The map is both a political and physical map, showing borders, provinces, and physical features such as mountain ranges and bodies of water.
- The map predates the Al-Hasa Expedition of 1871, which led to the Ottoman Empire extending its influence over the eastern Arabian Peninsula (El Ahsa/El Hejer region).
- The southern coast of the Gulf is labeled as El Ahsa or El Hejer, reflecting period nomenclature before Ottoman administrative changes.
- Early forms of names for present-day UAE emirates, such as Sharjas Tower (Sharjah), Dibbah (Dubai), Abothubbee (Abu Dhabi), and Ras al Khyme (Ras Al Khaimah), are shown.
- Near Qatar and Bahrain, features such as Ras Aufir, Zabarah, El Katif, Duat, the Great Pearl Bank, Goodwin's Island, and Dahnyi Island are shown.
- The map provides a snapshot of political and geographical knowledge of the region in the mid-19th century, before major geopolitical changes such as the expansion of the Ottoman Empire into eastern Arabia.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 70in (180cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Pour la plupart des commandes, le délai de livraison est d'environ 3 jours ouvrables. Les produits personnalisés et sur mesure prennent plus de temps, car je dois faire la personnalisation et vous l'envoyer pour approbation, ce qui prend généralement 1 ou 2 jours.
Veuillez noter que les grandes commandes encadrées prennent généralement plus de temps à réaliser et à livrer.
Si vous avez besoin que votre commande arrive à une date précise, veuillez me contacter avant de passer votre commande afin que nous puissions trouver le meilleur moyen de nous assurer que vous receviez votre commande à temps.
J'imprime et encadre des cartes et des œuvres d'art dans 23 pays à travers le monde. Cela signifie que votre commande sera réalisée localement, ce qui réduit le temps de livraison et garantit qu'elle ne sera pas endommagée pendant le transport. Vous ne paierez jamais de droits de douane ou d'importation, et nous mettrons moins de CO2 dans l'air.
Toutes mes cartes et impressions artistiques sont bien emballées et envoyées dans un tube robuste si non encadrées, ou entourées de mousse si encadrées.
J'essaie d'envoyer toutes les commandes dans les 1 ou 2 jours suivant la réception de votre commande, bien que certains produits (comme les masques, les mugs et les sacs fourre-tout) puissent prendre plus de temps à réaliser.
Si vous choisissez Livraison Express lors du paiement, nous donnerons la priorité à votre commande et l'enverrons par un service de messagerie de 1 jour (Fedex, DHL, UPS, Parcelforce).
La livraison le lendemain est également disponible dans certains pays (États-Unis, Royaume-Uni, Singapour, Émirats Arabes Unis), mais veuillez essayer de commander tôt dans la journée afin que nous puissions l'envoyer à temps.
Lisez mon guide complet sur la livraison et la production locale
Mon cadre standard est un cadre en bois dur noir de style galerie. Il est simple et a un aspect assez moderne. Mon cadre standard mesure environ 20 mm (0,8 po) de large.
J'utilise de l'acrylique super clair (perspex/acrylite) pour le verre du cadre. C'est plus léger et plus sûr que le verre - et cela a meilleur aspect, car la réflexivité est plus faible.
Six couleurs de cadre standard sont disponibles gratuitement (noir, marron foncé, gris foncé, chêne, blanc et or antique). Des encadrements et montages/matelassages personnalisés sont disponibles si vous recherchez autre chose.
La plupart des cartes, œuvres d'art et illustrations sont également disponibles sous forme de toile encadrée. Nous utilisons une toile en coton mate (non brillante), que nous tendons sur un cadre en bois de boîte provenant de sources durables, puis nous 'flottions' la pièce à l'intérieur d'un cadre en bois. Le résultat final est assez beau, et il n'y a pas de vitrage qui gêne.
Tous les cadres sont fournis "prêts à accrocher", avec soit une corde, soit des supports à l'arrière. Les très grands cadres auront des plaques de suspension lourdes et/ou une latte de montage. Si vous avez des questions, veuillez nous contacter.
Voir quelques exemples de mes cartes encadrées et de cartes en toile encadrées.
Alternativement, je peux également fournir de vieilles cartes et œuvres d'art sur toile, sur panneau en mousse, en coton et d'autres matériaux.
Si vous souhaitez encadrer votre carte ou œuvre d'art vous-même, veuillez lire d'abord mon guide des tailles.
Certaines de mes anciennes cartes sont maintenant disponibles en tant que toiles encadrées. Veuillez me contacter si vous souhaitez commander une taille qui n'est pas disponible dans ma boutique.
Les anciennes cartes en toile sont une alternative intéressante aux cartes encadrées de manière conventionnelle. Selon vos goûts personnels et la décoration de votre pièce, les cartes en toile peuvent "se démarquer" un peu plus qu'une carte encadrée.
Mes cartes sont des reproductions de cartes originales de très haute qualité.
Je recherche des cartes originales et rares auprès de bibliothèques, de maisons de ventes aux enchères et de collections privées du monde entier, je les restaure dans mon atelier de Londres, puis j'utilise des encres et des imprimantes giclées spécialisées pour créer de magnifiques cartes encore plus belles que l'originale.
Mes cartes sont imprimées sur du papier d’archives mat (non brillant) sans acide qui semble de très haute qualité et ressemble presque à une carte. En termes techniques, le grammage/épaisseur du papier est de 10 mil/200 g/m². C'est parfait pour l'encadrement.
J’imprime avec des encres pigmentaires Epson ultrachrome giclée UV résistantes à la décoloration – certaines des meilleures encres que vous puissiez trouver.
je peux aussi faire cartes sur toile, chiffon en coton et autres matériaux exotiques.
En savoir plus sur Unique Maps Co..
Personnalisation de la carte
Si vous recherchez le cadeau parfait pour un anniversaire ou une pendaison de crémaillère, je peux personnaliser votre carte pour la rendre vraiment unique. Par exemple, je peux ajouter un court message, mettre en évidence un lieu important ou ajouter les armoiries de votre famille.
Les options sont presque infinies. S'il vous plaît voir mon page de personnalisation de la carte pour quelques merveilleux exemples de ce qui est possible.
Pour commander une carte personnalisée, sélectionnez « personnaliser votre carte » avant de l'ajouter à votre panier.
Entrer en contact si vous recherchez des personnalisations et des personnalisations plus complexes.
Vieillissement de la carte
Au fil des ans, des clients m'ont demandé des centaines de fois s'ils pouvaient acheter une carte qui semble uniforme. plus vieux.
Eh bien, vous pouvez désormais le faire en sélectionnant Aged avant d'ajouter une carte à votre panier.
Toutes les photos de produits que vous voyez sur cette page montrent la carte dans sa forme originale. Voilà à quoi ressemble la carte aujourd'hui.
Si vous sélectionnez Vieilli, je vieillirai votre carte à la main, en utilisant un processus spécial et unique développé au cours d'années d'étude de cartes anciennes, de discussions avec des chercheurs pour comprendre la chimie du vieillissement du papier, et bien sûr... beaucoup de pratique !
Si vous n'êtes pas sûr, respectez la couleur originale de la carte. Si vous voulez quelque chose d'un peu plus sombre et plus vieux à la recherche, optez pour Aged.
Si vous n'êtes pas satisfait de votre commande pour une raison quelconque, contactez-moi pour un remboursement sans conditions.
Je suis très confiant que vous aimerez votre carte restaurée ou votre impression artistique. Je fais cela depuis 1984. Je suis un vendeur Etsy 5 étoiles. J'ai vendu des dizaines de milliers de cartes et d'impressions artistiques et j'ai plus de 4 000 avis réels 5 étoiles.
J'utilise un processus unique pour restaurer des cartes et des œuvres d'art qui est extrêmement chronophage et exigeant en main-d'œuvre. Trouver les cartes et illustrations originales peut prendre des mois. J'utilise une technologie à la pointe et extrêmement coûteuse pour les numériser et les restaurer. En conséquence, je garantis que mes cartes et impressions artistiques sont d'une qualité supérieure - c'est pourquoi je peux offrir un remboursement sans conditions.
Presque toutes mes cartes et impressions artistiques ont l'air incroyables en grandes tailles (200 cm, 6,5 pieds+) et je peux également les encadrer et vous les livrer via un transporteur spécial surdimensionné. Contactez-moi pour discuter de vos besoins spécifiques.
Or try searching for something!