Rare Old Map of Durango, Mexico, 1922: Durango City, Gómez Palacio, Lerdo, Sierra Madre Occidental, railroads
Restaurée dans notre atelier londonien à partir de la carte originale de 1922 et imprimée en qualité musée. Description complète
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Choisissez deux œuvres éligibles et bénéficiez de 20 % de réduction sur les deux. Choisissez-en trois et celle au prix le plus bas est offerte, pour une économie maximale de 33 %.
Associez librement des cartes standard éligibles et des tirages d’art. Aucun code n’est requis ; l’offre est appliquée automatiquement lors du paiement.
Les configurations standard réalisées sur commande sont incluses. Les formats sur mesure, les créations personnalisées et les œuvres commissionnées sont exclus.
Besoin d’une livraison à différentes adresses ? Contactez-nous avant de commander.Restaurée à partir de la carte originale de 1922 et imprimée en qualité musée. Description complète
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Entitled No. 10: Durango, this 1922 map by the Mexico Dirección de Estudios Geográficos y Climatológicos forms part of a thirty-two-sheet national...
Continuer la lectureEntitled No. 10: Durango, this 1922 map by the Mexico Dirección de Estudios Geográficos y Climatológicos forms part of a thirty-two-sheet national atlas issued in its second edition by the Secretaría de Agricultura y Fomento. Orchestrated under the direction of Ing. Sotero Prieto, it brings together political and physical geography in a composite design that overlays shaded relief on geologic understanding, making the mountains, basins, and borders of Durango immediately legible. The cartography balances administrative clarity—firm state lines, clearly drawn boundaries, named settlements—with a tactile sense of terrain rendered through isolines and careful hill shading. Railroads, roads, rivers, and lakes are woven into this framework, inviting the eye to follow arterial routes from city to sierra. The result is a lucid, authoritative portrait of a state pivotal to Mexico’s interior during the early twentieth century.
Anchored in the southwestern reaches of North America, Durango emerges here as a land of high plateaus broken by the ramparts of the Sierra Madre Occidental and scored by river valleys that collect seasonal waters. Shaded relief gathers densely along the western escarpments, where closely spaced contours announce steep gradients and deep barrancas, then relaxes eastward into broader plains and intermontane basins. Rivers and lakes are plotted with hydrologic care, their courses threading through settlements and agricultural districts; isolines allow the viewer to read watersheds, passes, and divides at a glance. The map’s symbology, consistent across the atlas, even echoes hydrographic practices—soundings appear where relevant elsewhere in the series—underscoring a scientific ethos that treats elevation and depth with equal precision. Natural landforms and human corridors are thus seen in productive dialogue.
Urban and rural life are mapped with equal candor. Durango City anchors the central plateau, its prominence corroborated by the convergence of roads radiating toward mining towns and valley farms. In the northeast, Gómez Palacio and Lerdo appear as paired urban nodes flanking vital river courses and rail lines, their gridded footprints hinting at industrial and commercial vigor. Canatlán is set amid orchards and cool uplands, while Tlahualilo, farther toward the desert margins, stands as a testament to frontier agriculture and transport. The map traces railroads with crisp regularity—each siding, junction, and long traverse across the flats—while the arterial roads negotiate passes and river fords, hugging valley floors before lifting to highland shelves. Taken together, these networks reveal how Durango’s rugged physiography shaped, and was shaped by, the flows of people, goods, and capital.
Behind this clarity lies a disciplined enterprise. Ing. Sotero Prieto’s coordination brought together surveyors, engineers, and draftsmen within the Dirección de Estudios Geográficos y Climatológicos, with Ing. Luciano López Sorcini among the key contributors. Zincographers such as Antonio Hernández transformed field observations into precise linework, labels, and symbols—an early twentieth-century, photomechanical craft capable of rendering fine contour sequences, rail ticks, and boundary stipples without sacrificing legibility. The composite methodology—relief shading worked over geologic structure—yields a map that teaches as it enchants, letting readers intuit the relation between lithology, slope, and settlement. Even the atlas’s cover announces this ambition: a full-color regional tableau adorned with a decorative Mayan motif and a map attributed to a Maya Indian, a nod to deep cartographic traditions informing a modern, technocratic survey of the Republic.
As a document of its moment, No. 10: Durango distills Mexico’s early twentieth-century project of renewal—administrative consolidation, infrastructural reach, and resource appraisal—into a single, navigable sheet. Political boundaries assert order; the road and rail lattices advertise mobility; the rivers and lakes register the environmental constraints that planners had to respect or reimagine. Mining uplands, timbered sierras, and irrigable basins each claim their cartographic space, hinting at the economic geographies that motivated such meticulous study. Issued by the Secretaría de Agricultura y Fomento, the series was designed to be used: by engineers plotting a new feeder line, by agronomists reading a watershed, by administrators understanding their districts. A century later, it remains a superb guide to Durango’s enduring structure—where the land folds, the waters run, and the cities take hold.
Cities and towns on this map
- Durango City: The capital with a significant population.
- Gomez Palacio: A notable urban area near Durango City.
- Lerdo: Another important settlement with a substantial population.
- Canatlán: Smaller town listed on the map.
- Tlahualilo: A town mentioned, less populous than the above.
Notable Features & Landmarks
- Political Boundaries: Clearly defined borders outlining Durango.
- Roads and Railroads: Extensive network depicted, indicating major thoroughfares and transport routes.
- Settlements: Labelled towns and cities providing context to populated areas.
- Geological Features: Representation of elevation through shadings and isolines.
- Water Bodies: Major rivers and lakes marked, contributing to hydrological understanding.
- Natural Landforms: Mountains and valleys illustrated in a way that complements the mapping of infrastructure.
Historical and design context
- Map Name: No. 10: Durango
- Creation Date: 1922
- Mapmaker/Publisher: Mexico Dirección de Estudios Geográficos y Climatológicos
- Map Overview: This is a detailed political and physical map of Durango, part of a series totaling thirty-two maps that also includes relief and geologic maps.
- Geographical Focus: Southwestern Coast of North America, emphasizing Durango.
- Design Elements: The map's aesthetic includes a composite design with overlays of relief maps on geologic maps, enhancing visual understanding of terrain.
- Cover Design: The cover features a full-color representation of the region adorned with a decorative Mayan illustration and a map attributed to a Maya Indian.
- Project Leadership: Coordinated by Ing. Sotero Prieto, with contributions from Ing. Luciano Lopez Sorcini and several zincographers, including Antonio Hernandez.
- Edition Details: Part of the second edition published by the Secretaria de Agricultura y Fomento, under the direction of the geographical studies division.
- Significance of Series: The atlas aims to provide a comprehensive view of geographic and infrastructural developments in Mexico during the early 20th century, reflecting historical cartography practices.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 90in (230cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Entitled No. 10: Durango, this 1922 map by the Mexico Dirección de Estudios Geográficos y Climatológicos forms part of a thirty-two-sheet national atlas issued in its second edition by the Secretaría de Agricultura y Fomento. Orchestrated under the direction of Ing. Sotero Prieto, it brings together political and physical geography in a composite design that overlays shaded relief on geologic understanding, making the mountains, basins, and borders of Durango immediately legible. The cartography balances administrative clarity—firm state lines, clearly drawn boundaries, named settlements—with a tactile sense of terrain rendered through isolines and careful hill shading. Railroads, roads, rivers, and lakes are woven into this framework, inviting the eye to follow arterial routes from city to sierra. The result is a lucid, authoritative portrait of a state pivotal to Mexico’s interior during the early twentieth century.
Anchored in the southwestern reaches of North America, Durango emerges here as a land of high plateaus broken by the ramparts of the Sierra Madre Occidental and scored by river valleys that collect seasonal waters. Shaded relief gathers densely along the western escarpments, where closely spaced contours announce steep gradients and deep barrancas, then relaxes eastward into broader plains and intermontane basins. Rivers and lakes are plotted with hydrologic care, their courses threading through settlements and agricultural districts; isolines allow the viewer to read watersheds, passes, and divides at a glance. The map’s symbology, consistent across the atlas, even echoes hydrographic practices—soundings appear where relevant elsewhere in the series—underscoring a scientific ethos that treats elevation and depth with equal precision. Natural landforms and human corridors are thus seen in productive dialogue.
Urban and rural life are mapped with equal candor. Durango City anchors the central plateau, its prominence corroborated by the convergence of roads radiating toward mining towns and valley farms. In the northeast, Gómez Palacio and Lerdo appear as paired urban nodes flanking vital river courses and rail lines, their gridded footprints hinting at industrial and commercial vigor. Canatlán is set amid orchards and cool uplands, while Tlahualilo, farther toward the desert margins, stands as a testament to frontier agriculture and transport. The map traces railroads with crisp regularity—each siding, junction, and long traverse across the flats—while the arterial roads negotiate passes and river fords, hugging valley floors before lifting to highland shelves. Taken together, these networks reveal how Durango’s rugged physiography shaped, and was shaped by, the flows of people, goods, and capital.
Behind this clarity lies a disciplined enterprise. Ing. Sotero Prieto’s coordination brought together surveyors, engineers, and draftsmen within the Dirección de Estudios Geográficos y Climatológicos, with Ing. Luciano López Sorcini among the key contributors. Zincographers such as Antonio Hernández transformed field observations into precise linework, labels, and symbols—an early twentieth-century, photomechanical craft capable of rendering fine contour sequences, rail ticks, and boundary stipples without sacrificing legibility. The composite methodology—relief shading worked over geologic structure—yields a map that teaches as it enchants, letting readers intuit the relation between lithology, slope, and settlement. Even the atlas’s cover announces this ambition: a full-color regional tableau adorned with a decorative Mayan motif and a map attributed to a Maya Indian, a nod to deep cartographic traditions informing a modern, technocratic survey of the Republic.
As a document of its moment, No. 10: Durango distills Mexico’s early twentieth-century project of renewal—administrative consolidation, infrastructural reach, and resource appraisal—into a single, navigable sheet. Political boundaries assert order; the road and rail lattices advertise mobility; the rivers and lakes register the environmental constraints that planners had to respect or reimagine. Mining uplands, timbered sierras, and irrigable basins each claim their cartographic space, hinting at the economic geographies that motivated such meticulous study. Issued by the Secretaría de Agricultura y Fomento, the series was designed to be used: by engineers plotting a new feeder line, by agronomists reading a watershed, by administrators understanding their districts. A century later, it remains a superb guide to Durango’s enduring structure—where the land folds, the waters run, and the cities take hold.
Cities and towns on this map
- Durango City: The capital with a significant population.
- Gomez Palacio: A notable urban area near Durango City.
- Lerdo: Another important settlement with a substantial population.
- Canatlán: Smaller town listed on the map.
- Tlahualilo: A town mentioned, less populous than the above.
Notable Features & Landmarks
- Political Boundaries: Clearly defined borders outlining Durango.
- Roads and Railroads: Extensive network depicted, indicating major thoroughfares and transport routes.
- Settlements: Labelled towns and cities providing context to populated areas.
- Geological Features: Representation of elevation through shadings and isolines.
- Water Bodies: Major rivers and lakes marked, contributing to hydrological understanding.
- Natural Landforms: Mountains and valleys illustrated in a way that complements the mapping of infrastructure.
Historical and design context
- Map Name: No. 10: Durango
- Creation Date: 1922
- Mapmaker/Publisher: Mexico Dirección de Estudios Geográficos y Climatológicos
- Map Overview: This is a detailed political and physical map of Durango, part of a series totaling thirty-two maps that also includes relief and geologic maps.
- Geographical Focus: Southwestern Coast of North America, emphasizing Durango.
- Design Elements: The map's aesthetic includes a composite design with overlays of relief maps on geologic maps, enhancing visual understanding of terrain.
- Cover Design: The cover features a full-color representation of the region adorned with a decorative Mayan illustration and a map attributed to a Maya Indian.
- Project Leadership: Coordinated by Ing. Sotero Prieto, with contributions from Ing. Luciano Lopez Sorcini and several zincographers, including Antonio Hernandez.
- Edition Details: Part of the second edition published by the Secretaria de Agricultura y Fomento, under the direction of the geographical studies division.
- Significance of Series: The atlas aims to provide a comprehensive view of geographic and infrastructural developments in Mexico during the early 20th century, reflecting historical cartography practices.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 90in (230cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Nombre de nos cartes et tirages d’art sont choisis comme cadeaux attentionnés pour des intérieurs, des bureaux, des cabinets de travail et des lieux chargés de sens.
Choisissez une option encadrée pour un cadeau prêt à être accroché en toute simplicité, ou optez pour un tirage non encadré si le destinataire préfère peut-être sélectionner son propre cadre.
Nous fabriquons les commandes localement dans 23 pays à travers le monde, afin que les cadeaux puissent souvent être produits à proximité du destinataire. Cela permet une livraison plus rapide, un transport plus sûr et d’éviter les surprises liées aux frais de douane ou droits d’importation.
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- Les pièces encadrées arrivent prêtes à être accrochées
- Les tirages non encadrés sont soigneusement emballés dans un tube de protection robuste
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Si vous hésitez sur le choix à faire, veuillez nous contacter. Nous pouvons vous aider à choisir la carte, le format, la finition ou l’option de livraison appropriés.
Pour la plupart des commandes, le délai de livraison est d'environ 3 jours ouvrables. Les produits personnalisés et sur mesure prennent plus de temps, car je dois faire la personnalisation et vous l'envoyer pour approbation, ce qui prend généralement 1 ou 2 jours.
Veuillez noter que les grandes commandes encadrées prennent généralement plus de temps à réaliser et à livrer.
Si vous avez besoin que votre commande arrive à une date précise, veuillez me contacter avant de passer votre commande afin que nous puissions trouver le meilleur moyen de nous assurer que vous receviez votre commande à temps.
J'imprime et encadre des cartes et des œuvres d'art dans 23 pays à travers le monde. Cela signifie que votre commande sera réalisée localement, ce qui réduit le temps de livraison et garantit qu'elle ne sera pas endommagée pendant le transport. Vous ne paierez jamais de droits de douane ou d'importation, et nous mettrons moins de CO2 dans l'air.
Toutes mes cartes et impressions artistiques sont bien emballées et envoyées dans un tube robuste si non encadrées, ou entourées de mousse si encadrées.
J'essaie d'envoyer toutes les commandes dans les 1 ou 2 jours suivant la réception de votre commande, bien que certains produits (comme les masques, les mugs et les sacs fourre-tout) puissent prendre plus de temps à réaliser.
Si vous choisissez Livraison Express lors du paiement, nous donnerons la priorité à votre commande et l'enverrons par un service de messagerie de 1 jour (Fedex, DHL, UPS, Parcelforce).
La livraison le lendemain est également disponible dans certains pays (États-Unis, Royaume-Uni, Singapour, Émirats Arabes Unis), mais veuillez essayer de commander tôt dans la journée afin que nous puissions l'envoyer à temps.
Lisez mon guide complet sur la livraison et la production locale
Mon cadre standard est un cadre en bois dur noir de style galerie. Il est simple et a un aspect assez moderne. Mon cadre standard mesure environ 20 mm (0,8 po) de large.
J'utilise de l'acrylique super clair (perspex/acrylite) pour le verre du cadre. C'est plus léger et plus sûr que le verre - et cela a meilleur aspect, car la réflexivité est plus faible.
Six couleurs de cadre standard sont disponibles gratuitement (noir, marron foncé, gris foncé, chêne, blanc et or antique). Des encadrements et montages/matelassages personnalisés sont disponibles si vous recherchez autre chose.
La plupart des cartes, œuvres d'art et illustrations sont également disponibles sous forme de toile encadrée. Nous utilisons une toile en coton mate (non brillante), que nous tendons sur un cadre en bois de boîte provenant de sources durables, puis nous 'flottions' la pièce à l'intérieur d'un cadre en bois. Le résultat final est assez beau, et il n'y a pas de vitrage qui gêne.
Tous les cadres sont fournis "prêts à accrocher", avec soit une corde, soit des supports à l'arrière. Les très grands cadres auront des plaques de suspension lourdes et/ou une latte de montage. Si vous avez des questions, veuillez nous contacter.
Voir quelques exemples de mes cartes encadrées et de cartes en toile encadrées.
Alternativement, je peux également fournir de vieilles cartes et œuvres d'art sur toile, sur panneau en mousse, en coton et d'autres matériaux.
Si vous souhaitez encadrer votre carte ou œuvre d'art vous-même, veuillez lire d'abord mon guide des tailles.
Mes cartes sont des reproductions de cartes originales de très haute qualité.
Je recherche des cartes originales et rares auprès de bibliothèques, de maisons de ventes aux enchères et de collections privées du monde entier, je les restaure dans mon atelier de Londres, puis j'utilise des encres et des imprimantes giclées spécialisées pour créer de magnifiques cartes encore plus belles que l'originale.
Mes cartes sont imprimées sur du papier d’archives mat (non brillant) sans acide qui semble de très haute qualité et ressemble presque à une carte. En termes techniques, le grammage/épaisseur du papier est de 10 mil/200 g/m². C'est parfait pour l'encadrement.
J’imprime avec des encres pigmentaires Epson ultrachrome giclée UV résistantes à la décoloration – certaines des meilleures encres que vous puissiez trouver.
je peux aussi faire cartes sur toile, chiffon en coton et autres matériaux exotiques.
En savoir plus sur Unique Maps Co..
Personnalisation de la carte
Si vous recherchez le cadeau parfait pour un anniversaire ou une pendaison de crémaillère, je peux personnaliser votre carte pour la rendre vraiment unique. Par exemple, je peux ajouter un court message, mettre en évidence un lieu important ou ajouter les armoiries de votre famille.
Les options sont presque infinies. S'il vous plaît voir mon page de personnalisation de la carte pour quelques merveilleux exemples de ce qui est possible.
Pour commander une carte personnalisée, sélectionnez « personnaliser votre carte » avant de l'ajouter à votre panier.
Entrer en contact si vous recherchez des personnalisations et des personnalisations plus complexes.
Vieillissement de la carte
Au fil des ans, des clients m'ont demandé des centaines de fois s'ils pouvaient acheter une carte qui semble uniforme. plus vieux.
Eh bien, vous pouvez désormais le faire en sélectionnant Aged avant d'ajouter une carte à votre panier.
Toutes les photos de produits que vous voyez sur cette page montrent la carte dans sa forme originale. Voilà à quoi ressemble la carte aujourd'hui.
Si vous sélectionnez Vieilli, je vieillirai votre carte à la main, en utilisant un processus spécial et unique développé au cours d'années d'étude de cartes anciennes, de discussions avec des chercheurs pour comprendre la chimie du vieillissement du papier, et bien sûr... beaucoup de pratique !
Si vous n'êtes pas sûr, respectez la couleur originale de la carte. Si vous voulez quelque chose d'un peu plus sombre et plus vieux à la recherche, optez pour Aged.
Si vous n'êtes pas satisfait de votre commande pour une raison quelconque, contactez-moi pour un remboursement sans conditions. Veuillez consulter notre politique de retours et de remboursements pour plus d'informations.
Je suis très confiant que vous aimerez votre carte restaurée ou votre impression artistique. Je fais cela depuis 1984. Je suis un vendeur Etsy 5 étoiles. J'ai vendu des dizaines de milliers de cartes et d'impressions artistiques et j'ai plus de 5 000 vrais avis 5 étoiles.
J'utilise un processus unique pour restaurer des cartes et des œuvres d'art qui est extrêmement chronophage et exigeant en main-d'œuvre. Trouver les cartes et illustrations originales peut prendre des mois. J'utilise une technologie de pointe et incroyablement coûteuse pour les numériser et les restaurer. En conséquence, je garantis que mes cartes et impressions artistiques sont d'une qualité supérieure - c'est pourquoi je peux offrir un remboursement sans conditions.
Presque toutes mes cartes et impressions artistiques ont l'air incroyables en grandes tailles (200 cm, 6,5 pieds+) et je peux également les encadrer et vous les livrer, via un transporteur spécial surdimensionné. Contactez-moi pour discuter de vos besoins spécifiques.
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Entitled No. 10: Durango, this 1922 map by the Mexico Dirección de Estudios Geográficos y Climatológicos forms part of a thirty-two-sheet national atlas issued in its second edition by the Secretaría de Agricultura y Fomento. Orchestrated under the direction of Ing. Sotero Prieto, it brings together political and physical geography in a composite design that overlays shaded relief on geologic understanding, making the mountains, basins, and borders of Durango immediately legible. The cartography balances administrative clarity—firm state lines, clearly drawn boundaries, named settlements—with a tactile sense of terrain rendered through isolines and careful hill shading. Railroads, roads, rivers, and lakes are woven into this framework, inviting the eye to follow arterial routes from city to sierra. The result is a lucid, authoritative portrait of a state pivotal to Mexico’s interior during the early twentieth century.
Anchored in the southwestern reaches of North America, Durango emerges here as a land of high plateaus broken by the ramparts of the Sierra Madre Occidental and scored by river valleys that collect seasonal waters. Shaded relief gathers densely along the western escarpments, where closely spaced contours announce steep gradients and deep barrancas, then relaxes eastward into broader plains and intermontane basins. Rivers and lakes are plotted with hydrologic care, their courses threading through settlements and agricultural districts; isolines allow the viewer to read watersheds, passes, and divides at a glance. The map’s symbology, consistent across the atlas, even echoes hydrographic practices—soundings appear where relevant elsewhere in the series—underscoring a scientific ethos that treats elevation and depth with equal precision. Natural landforms and human corridors are thus seen in productive dialogue.
Urban and rural life are mapped with equal candor. Durango City anchors the central plateau, its prominence corroborated by the convergence of roads radiating toward mining towns and valley farms. In the northeast, Gómez Palacio and Lerdo appear as paired urban nodes flanking vital river courses and rail lines, their gridded footprints hinting at industrial and commercial vigor. Canatlán is set amid orchards and cool uplands, while Tlahualilo, farther toward the desert margins, stands as a testament to frontier agriculture and transport. The map traces railroads with crisp regularity—each siding, junction, and long traverse across the flats—while the arterial roads negotiate passes and river fords, hugging valley floors before lifting to highland shelves. Taken together, these networks reveal how Durango’s rugged physiography shaped, and was shaped by, the flows of people, goods, and capital.
Behind this clarity lies a disciplined enterprise. Ing. Sotero Prieto’s coordination brought together surveyors, engineers, and draftsmen within the Dirección de Estudios Geográficos y Climatológicos, with Ing. Luciano López Sorcini among the key contributors. Zincographers such as Antonio Hernández transformed field observations into precise linework, labels, and symbols—an early twentieth-century, photomechanical craft capable of rendering fine contour sequences, rail ticks, and boundary stipples without sacrificing legibility. The composite methodology—relief shading worked over geologic structure—yields a map that teaches as it enchants, letting readers intuit the relation between lithology, slope, and settlement. Even the atlas’s cover announces this ambition: a full-color regional tableau adorned with a decorative Mayan motif and a map attributed to a Maya Indian, a nod to deep cartographic traditions informing a modern, technocratic survey of the Republic.
As a document of its moment, No. 10: Durango distills Mexico’s early twentieth-century project of renewal—administrative consolidation, infrastructural reach, and resource appraisal—into a single, navigable sheet. Political boundaries assert order; the road and rail lattices advertise mobility; the rivers and lakes register the environmental constraints that planners had to respect or reimagine. Mining uplands, timbered sierras, and irrigable basins each claim their cartographic space, hinting at the economic geographies that motivated such meticulous study. Issued by the Secretaría de Agricultura y Fomento, the series was designed to be used: by engineers plotting a new feeder line, by agronomists reading a watershed, by administrators understanding their districts. A century later, it remains a superb guide to Durango’s enduring structure—where the land folds, the waters run, and the cities take hold.
Cities and towns on this map
- Durango City: The capital with a significant population.
- Gomez Palacio: A notable urban area near Durango City.
- Lerdo: Another important settlement with a substantial population.
- Canatlán: Smaller town listed on the map.
- Tlahualilo: A town mentioned, less populous than the above.
Notable Features & Landmarks
- Political Boundaries: Clearly defined borders outlining Durango.
- Roads and Railroads: Extensive network depicted, indicating major thoroughfares and transport routes.
- Settlements: Labelled towns and cities providing context to populated areas.
- Geological Features: Representation of elevation through shadings and isolines.
- Water Bodies: Major rivers and lakes marked, contributing to hydrological understanding.
- Natural Landforms: Mountains and valleys illustrated in a way that complements the mapping of infrastructure.
Historical and design context
- Map Name: No. 10: Durango
- Creation Date: 1922
- Mapmaker/Publisher: Mexico Dirección de Estudios Geográficos y Climatológicos
- Map Overview: This is a detailed political and physical map of Durango, part of a series totaling thirty-two maps that also includes relief and geologic maps.
- Geographical Focus: Southwestern Coast of North America, emphasizing Durango.
- Design Elements: The map's aesthetic includes a composite design with overlays of relief maps on geologic maps, enhancing visual understanding of terrain.
- Cover Design: The cover features a full-color representation of the region adorned with a decorative Mayan illustration and a map attributed to a Maya Indian.
- Project Leadership: Coordinated by Ing. Sotero Prieto, with contributions from Ing. Luciano Lopez Sorcini and several zincographers, including Antonio Hernandez.
- Edition Details: Part of the second edition published by the Secretaria de Agricultura y Fomento, under the direction of the geographical studies division.
- Significance of Series: The atlas aims to provide a comprehensive view of geographic and infrastructural developments in Mexico during the early 20th century, reflecting historical cartography practices.
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