Rare Old Map of County Durham, England by Kitchin, 1763: Sunderland, Darlington, Hartlepool, Stockton, Durham
Restored in our London workshop from the original 1763 map and printed to museum-grade archival standards. Full description
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Need delivery to different addresses? Contact us before ordering.The Collector’s Offer
Choose two eligible works and receive 20% off both. Choose three and the lowest-priced one is complimentary, a maximum saving of 33%.
Mix and match eligible standard maps and fine-art prints. No code is required; the offer is applied automatically at checkout.
Standard made-to-order configurations are included. Bespoke sizes, personalised designs and commissioned work are excluded.
Need delivery to different addresses? Contact us before ordering.Restored from the original 1763 map and printed to museum-grade archival standards. Full description
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An Accurate Map of the County Palatine of Durham is Thomas Kitchin’s lucid portrait of a singular English jurisdiction, refined in 1763...
Continue readingAn Accurate Map of the County Palatine of Durham is Thomas Kitchin’s lucid portrait of a singular English jurisdiction, refined in 1763 from his earlier 1751 issue. Its dedication to Joseph Butler, Lord Bishop of Durham, is far more than a courtesy; it signals the Bishop’s exceptional temporal authority in a county where ecclesiastical and civil power famously converged. Kitchin responds to that complexity with rare composure, dividing the palatinate into wards that translate legal geography into an intelligible, visual order. The county’s boundaries, settlements, and communications are arrayed with a precision that made Kitchin’s name. This is a mid-Georgian document of governance as much as geography: a map that explains how an ancient autonomy worked on the ground, parish by parish and road by measured road.
Kitchin’s artistry is declared in the decorative cartouche, where craftsmen at work embody the industrious spirit of the age and mirror the mapmaker’s own meticulous practice. Across the sheet, hand-coloring articulates the wards with refined clarity, while engraving of rivers, coast, and inland relief supplies texture without confusion. A carefully composed key in the lower-right corner deciphers a sophisticated symbology—market towns, villages, rectorial and vicarage churches, parks, and the seats of the nobility and gentry—ensuring the reader can navigate social as well as physical landscapes. Measured mileages accompany principal routes, marrying elegance to empirical utility and making movement legible at a glance.
The county’s towns are situated with a storyteller’s sense of connection. Durham, the episcopal heart and historic stronghold, anchors the interior; Darlington and Stockton-on-Tees knit the south by busy roads and river trade; Sunderland and Hartlepool hold the coast, their harbors opening the county to the North Sea. The rivers Wear and Tees wind through this composition, binding upland to shore and market to port. Out of frame to the north lies Newcastle upon Tyne—acknowledged by context if not by boundary—signaling the palatinate’s dialogue with neighboring power. Parks and landscaped estates punctuate the countryside, their demesnes named and placed, while annotations illuminate lesser-known communities, keeping hamlet and manor as visible as town and city.
This is also a chronicle of movement on the eve of transformative change. By inscribing roads with true measured distances, Kitchin captures the practical world of carriers, clergy, magistrates, and gentry traversing the county in the coaching age, before rails redrew the map of speed. The wards provide the bureaucratic scaffolding for that world; the churches, distinguished as rectorial or vicarage, trace the ecclesiastical network that underwrote local life and authority. Symbols for parks and noble seats hint at patronage and influence, while the density of settlements reveals an economy knitting coal, agriculture, and coastal trade. Every emblem in the key is an instrument for reading how power, piety, and commerce inhabited the same terrain.
Thomas Kitchin’s reputation as a master engraver rests on this union of beauty and exactitude. He was a tireless compiler and clear-sighted designer, distilling complex information into pages that reward both quick reference and close study. Here, his disciplined line, explanatory key, and dignified dedication turn a county map into a learned object—useful to the traveler and magistrate in its day, richly evocative to the connoisseur now. The hand-applied color enlivens the wards without overwhelming the typography; the cartouche’s working figures salute the skilled hands that shaped the era. Collectors prize such maps for their intellectual poise: a whole polity rendered legible, its roads and parishes still guiding the eye through mid-Georgian England.
Cities and towns on this map
- Durham: Population ~50,000.
- Darlington: Population ~105,000.
- Sunderland: Population ~175,000.
- Hartlepool: Population ~95,000.
- Stockton-on-Tees: Population ~84,000.
- Newcastle upon Tyne: Population ~150,000 (just outside the map boundaries, but relevant due to historical context).
Notable Features & Landmarks
- Division of the County Palatine into wards.
- Roads marked with true measured distances between towns.
- Indications of rectorial and vicarage locations.
- Parks and seats of the nobility and gentry highlighted.
- Annotations explaining various communities depicted on the map.
- Decorative engravings showing craftsmen, enhancing the map's artistry.
- A detailed key in the lower-right corner with symbols explaining map features.
Historical and design context
- Map Title: An Accurate Map of the County Palatine of Durham.
- Mapmaker: Created by Thomas Kitchin in 1763, known for his detailed and skilled engraving techniques.
- Original Publication: The map was first published in 1751 and later improved upon.
- Dedication: The map bears a dedication to Joseph Butler, the Lord Bishop of Durham, showcasing the connection between the Church and the community.
- Hand-coloring: The map is hand-colored, adding a visual distinction to the different regions and wards within the County of Durham.
- Historical Context: The County Palatine of Durham was significant during this period, with its own legal rights and jurisdiction, influenced by the Bishop of Durham's authority.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
An Accurate Map of the County Palatine of Durham is Thomas Kitchin’s lucid portrait of a singular English jurisdiction, refined in 1763 from his earlier 1751 issue. Its dedication to Joseph Butler, Lord Bishop of Durham, is far more than a courtesy; it signals the Bishop’s exceptional temporal authority in a county where ecclesiastical and civil power famously converged. Kitchin responds to that complexity with rare composure, dividing the palatinate into wards that translate legal geography into an intelligible, visual order. The county’s boundaries, settlements, and communications are arrayed with a precision that made Kitchin’s name. This is a mid-Georgian document of governance as much as geography: a map that explains how an ancient autonomy worked on the ground, parish by parish and road by measured road.
Kitchin’s artistry is declared in the decorative cartouche, where craftsmen at work embody the industrious spirit of the age and mirror the mapmaker’s own meticulous practice. Across the sheet, hand-coloring articulates the wards with refined clarity, while engraving of rivers, coast, and inland relief supplies texture without confusion. A carefully composed key in the lower-right corner deciphers a sophisticated symbology—market towns, villages, rectorial and vicarage churches, parks, and the seats of the nobility and gentry—ensuring the reader can navigate social as well as physical landscapes. Measured mileages accompany principal routes, marrying elegance to empirical utility and making movement legible at a glance.
The county’s towns are situated with a storyteller’s sense of connection. Durham, the episcopal heart and historic stronghold, anchors the interior; Darlington and Stockton-on-Tees knit the south by busy roads and river trade; Sunderland and Hartlepool hold the coast, their harbors opening the county to the North Sea. The rivers Wear and Tees wind through this composition, binding upland to shore and market to port. Out of frame to the north lies Newcastle upon Tyne—acknowledged by context if not by boundary—signaling the palatinate’s dialogue with neighboring power. Parks and landscaped estates punctuate the countryside, their demesnes named and placed, while annotations illuminate lesser-known communities, keeping hamlet and manor as visible as town and city.
This is also a chronicle of movement on the eve of transformative change. By inscribing roads with true measured distances, Kitchin captures the practical world of carriers, clergy, magistrates, and gentry traversing the county in the coaching age, before rails redrew the map of speed. The wards provide the bureaucratic scaffolding for that world; the churches, distinguished as rectorial or vicarage, trace the ecclesiastical network that underwrote local life and authority. Symbols for parks and noble seats hint at patronage and influence, while the density of settlements reveals an economy knitting coal, agriculture, and coastal trade. Every emblem in the key is an instrument for reading how power, piety, and commerce inhabited the same terrain.
Thomas Kitchin’s reputation as a master engraver rests on this union of beauty and exactitude. He was a tireless compiler and clear-sighted designer, distilling complex information into pages that reward both quick reference and close study. Here, his disciplined line, explanatory key, and dignified dedication turn a county map into a learned object—useful to the traveler and magistrate in its day, richly evocative to the connoisseur now. The hand-applied color enlivens the wards without overwhelming the typography; the cartouche’s working figures salute the skilled hands that shaped the era. Collectors prize such maps for their intellectual poise: a whole polity rendered legible, its roads and parishes still guiding the eye through mid-Georgian England.
Cities and towns on this map
- Durham: Population ~50,000.
- Darlington: Population ~105,000.
- Sunderland: Population ~175,000.
- Hartlepool: Population ~95,000.
- Stockton-on-Tees: Population ~84,000.
- Newcastle upon Tyne: Population ~150,000 (just outside the map boundaries, but relevant due to historical context).
Notable Features & Landmarks
- Division of the County Palatine into wards.
- Roads marked with true measured distances between towns.
- Indications of rectorial and vicarage locations.
- Parks and seats of the nobility and gentry highlighted.
- Annotations explaining various communities depicted on the map.
- Decorative engravings showing craftsmen, enhancing the map's artistry.
- A detailed key in the lower-right corner with symbols explaining map features.
Historical and design context
- Map Title: An Accurate Map of the County Palatine of Durham.
- Mapmaker: Created by Thomas Kitchin in 1763, known for his detailed and skilled engraving techniques.
- Original Publication: The map was first published in 1751 and later improved upon.
- Dedication: The map bears a dedication to Joseph Butler, the Lord Bishop of Durham, showcasing the connection between the Church and the community.
- Hand-coloring: The map is hand-colored, adding a visual distinction to the different regions and wards within the County of Durham.
- Historical Context: The County Palatine of Durham was significant during this period, with its own legal rights and jurisdiction, influenced by the Bishop of Durham's authority.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
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If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Every Unique Maps piece begins with an authentic cartographic source or an original design from our London studio.
For our historic maps, we source rare originals from libraries, archives, auction houses and private collections around the world. We carefully restore each map for print—repairing age-related damage, balancing colour and improving clarity while preserving its original detail, texture and character.
Once restored, the map is prepared for your chosen size and finish. Your piece is then printed and, where selected, framed close to its delivery destination.
Our map prints use acid-free 200gsm archival matte paper and fade-resistant pigment inks, creating a rich, non-glossy finish designed to last. Framed maps use crystal-clear optical acrylic and arrive ready to hang.
Canvas, cotton-rag and other specialist presentations are also available. Learn more about our materials and finishes.
Personalising your map
You can add a short title or dedication, mark one meaningful place, or request one considered visual detail. For personalised designs, we send a proof before printing and you can request changes before approval.
For more complex bespoke commissions, contact our design team.
Original or Aged
Choose Original for true-to-source colour, or Aged for a warmer, richer antique character created with our specialist ageing process. See examples of our Aged maps.
If you are not happy with your order for any reason, contact me and I'll get it fixed ASAP, free of charge. Please see my returns and refund policy for more information.
I am very confident you will like your restored map or art print. I have been doing this since 1984. I'm a 5-star Etsy seller. I have sold tens of thousands of maps and art prints and have over 5,000 real 5-star reviews. My work has been featured in interior design magazines, on the BBC, and on the walls of dozens of 5-star hotels.
I use a unique process to restore maps and artwork that is massively time consuming and labour intensive. Hunting down the original maps and illustrations can take months. I use state of the art and eye-wateringly expensive technology to scan and restore them. As a result, I guarantee my maps and art prints are a cut above the rest. I stand by my products and will always make sure you're 100% happy with what you receive.
Almost all of my maps and art prints look amazing at large sizes (200cm, 6.5ft+) and I can frame and deliver them to you as well, via special oversized courier. Contact me to discuss your specific needs.
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An Accurate Map of the County Palatine of Durham is Thomas Kitchin’s lucid portrait of a singular English jurisdiction, refined in 1763 from his earlier 1751 issue. Its dedication to Joseph Butler, Lord Bishop of Durham, is far more than a courtesy; it signals the Bishop’s exceptional temporal authority in a county where ecclesiastical and civil power famously converged. Kitchin responds to that complexity with rare composure, dividing the palatinate into wards that translate legal geography into an intelligible, visual order. The county’s boundaries, settlements, and communications are arrayed with a precision that made Kitchin’s name. This is a mid-Georgian document of governance as much as geography: a map that explains how an ancient autonomy worked on the ground, parish by parish and road by measured road.
Kitchin’s artistry is declared in the decorative cartouche, where craftsmen at work embody the industrious spirit of the age and mirror the mapmaker’s own meticulous practice. Across the sheet, hand-coloring articulates the wards with refined clarity, while engraving of rivers, coast, and inland relief supplies texture without confusion. A carefully composed key in the lower-right corner deciphers a sophisticated symbology—market towns, villages, rectorial and vicarage churches, parks, and the seats of the nobility and gentry—ensuring the reader can navigate social as well as physical landscapes. Measured mileages accompany principal routes, marrying elegance to empirical utility and making movement legible at a glance.
The county’s towns are situated with a storyteller’s sense of connection. Durham, the episcopal heart and historic stronghold, anchors the interior; Darlington and Stockton-on-Tees knit the south by busy roads and river trade; Sunderland and Hartlepool hold the coast, their harbors opening the county to the North Sea. The rivers Wear and Tees wind through this composition, binding upland to shore and market to port. Out of frame to the north lies Newcastle upon Tyne—acknowledged by context if not by boundary—signaling the palatinate’s dialogue with neighboring power. Parks and landscaped estates punctuate the countryside, their demesnes named and placed, while annotations illuminate lesser-known communities, keeping hamlet and manor as visible as town and city.
This is also a chronicle of movement on the eve of transformative change. By inscribing roads with true measured distances, Kitchin captures the practical world of carriers, clergy, magistrates, and gentry traversing the county in the coaching age, before rails redrew the map of speed. The wards provide the bureaucratic scaffolding for that world; the churches, distinguished as rectorial or vicarage, trace the ecclesiastical network that underwrote local life and authority. Symbols for parks and noble seats hint at patronage and influence, while the density of settlements reveals an economy knitting coal, agriculture, and coastal trade. Every emblem in the key is an instrument for reading how power, piety, and commerce inhabited the same terrain.
Thomas Kitchin’s reputation as a master engraver rests on this union of beauty and exactitude. He was a tireless compiler and clear-sighted designer, distilling complex information into pages that reward both quick reference and close study. Here, his disciplined line, explanatory key, and dignified dedication turn a county map into a learned object—useful to the traveler and magistrate in its day, richly evocative to the connoisseur now. The hand-applied color enlivens the wards without overwhelming the typography; the cartouche’s working figures salute the skilled hands that shaped the era. Collectors prize such maps for their intellectual poise: a whole polity rendered legible, its roads and parishes still guiding the eye through mid-Georgian England.
Cities and towns on this map
- Durham: Population ~50,000.
- Darlington: Population ~105,000.
- Sunderland: Population ~175,000.
- Hartlepool: Population ~95,000.
- Stockton-on-Tees: Population ~84,000.
- Newcastle upon Tyne: Population ~150,000 (just outside the map boundaries, but relevant due to historical context).
Notable Features & Landmarks
- Division of the County Palatine into wards.
- Roads marked with true measured distances between towns.
- Indications of rectorial and vicarage locations.
- Parks and seats of the nobility and gentry highlighted.
- Annotations explaining various communities depicted on the map.
- Decorative engravings showing craftsmen, enhancing the map's artistry.
- A detailed key in the lower-right corner with symbols explaining map features.
Historical and design context
- Map Title: An Accurate Map of the County Palatine of Durham.
- Mapmaker: Created by Thomas Kitchin in 1763, known for his detailed and skilled engraving techniques.
- Original Publication: The map was first published in 1751 and later improved upon.
- Dedication: The map bears a dedication to Joseph Butler, the Lord Bishop of Durham, showcasing the connection between the Church and the community.
- Hand-coloring: The map is hand-colored, adding a visual distinction to the different regions and wards within the County of Durham.
- Historical Context: The County Palatine of Durham was significant during this period, with its own legal rights and jurisdiction, influenced by the Bishop of Durham's authority.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
