Rare Old Map of the German Emin Pasha Expedition by Peters, 1891: Zanzibar, Kilimanjaro, Lake Victoria, Uganda, East Africa
Restored in our London workshop from the original 1891 map and printed to museum-grade archival standards. Full description
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Need delivery to different addresses? Contact us before ordering.The Collector’s Offer
Choose two eligible works and receive 20% off both. Choose three and the lowest-priced one is complimentary, a maximum saving of 33%.
Mix and match eligible standard maps and fine-art prints. No code is required; the offer is applied automatically at checkout.
Standard made-to-order configurations are included. Bespoke sizes, personalised designs and commissioned work are excluded.
Need delivery to different addresses? Contact us before ordering.Restored from the original 1891 map and printed to museum-grade archival standards. Full description
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Map of the German Emin Pasha Expedition according to the Itinerary of Dr. Carl Peters (1891) is a richly detailed chronicle of...
Continue readingMap of the German Emin Pasha Expedition according to the Itinerary of Dr. Carl Peters (1891) is a richly detailed chronicle of an audacious inland thrust from the Indian Ocean to the Great Lakes. Tracing Peters’s 1888 route, it leads the eye from Zanzibar, Tanga, and Bagamoyo across the Usambara and Kilimanjaro region toward Lake Victoria, with branches reaching into Uganda and Equatoria. A finely articulated hydrological network—rivers, branching channels, and tributaries—anchors the interior, while colored regional demarcations and sketched political boundaries convey the era’s negotiating lines. The Anglo-German Treaty line is crisply marked, its arc a visual shorthand for late 19th-century power-brokering. A precise legend and compass rose frame the cartographer’s intention: itinerary as argument, geography as claim.
Historically, the map captures a pivotal moment in the Scramble for Africa when German ambition pressed inland against British designs. Peters—founder of the Society for German Colonization—pursued influence over Equatoria and Uganda in a controversial campaign that included planting German flags along caravan corridors. His brutal tactics later provoked public outrage; he fled to London and, in a telling coda to the age’s politics, was posthumously pardoned by Adolf Hitler. Set against the backdrop of the 1890 Heligoland–Zanzibar Agreement, the map is both artifact and instrument, displaying how cartography recorded, rationalized, and attempted to fix in place competing imperial aspirations.
Geographically, the sheet is a lucid portrait of East Africa’s great water and mountain systems. Lake Victoria appears as the grand inland sea, joined by Lake Albert to the northwest; the Tana and Kagera Rivers unspool across the terrain, guiding the caravan logic of movement. Mountain belts—the Usambara range and the Kilimanjaro region—rise alongside imperially christened massifs such as the Kaiser Wilhelm II and Friedrich Franz Mountains, their names revealing the politics inscribed onto the land. Coastal emporia like Mombasa and Zanzibar give way to interior nodes including Ujiji and the Serengeti area, while Equatoria and the Emin Pasha Province mark the map’s northern horizon. Contour-like shading, a clear key, and restrained decorative elements complete the late 19th-century visual grammar.
The expedition route itself is meticulously delineated, threading from the Tanzania coast toward Lake Victoria with camps and tent symbols punctuating progress. Notations of flag-planting sites lend an unmistakable geopolitical charge: these are waypoints of assertion as much as of navigation. The path often hugs river valleys, skirts open savanna, and leverages highland passes, mirroring the logistical realities of caravan travel. Along the way, historically resonant places—Bagamoyo as staging ground, the coastal remnants near the Ruins of Gedi, and inland corridors toward Uganda—convey both strategic intent and the friction of terrain. Every bend and bivouac transforms the map into a narrative of movement, encounter, and claim-making.
For collectors, this map’s resonance lies in how it foreshadows modern borders across Kenya, Tanzania, Uganda, Rwanda, and Burundi while revealing the improvisation behind them. The Anglo-German boundary swings across the page like a prelude to later partitions; settlements, missionary stations, and caravan towns sketch a network later formalized by rail and protectorate. Equatoria and the Emin Pasha Province signal a contested northern frontier, while the Kilimanjaro region and Usambara highlands mark Germany’s inland aspirations. It is a powerful, ethically complex document—an elegant visualization of geography pressed into imperial service, and a rare, candid witness to the geopolitical calculations that shaped East Africa at the close of the 19th century.
Places on this map
- Lake Victoria
- Tana River
- Kaiser Wilhelm II Mountains
- Friedrich Franz Mountains
- Zanzibar
- Ujiji
- Usambara Mountains
- Nairobi
- Mombasa
- Kilimanjaro Region
- Emin Pasha Province
- Uganda
- Equatoria
- Tanga
- Tanzania Coast
- Serengeti Area
- Bagamoyo
- Ruins of Gedi
- Kilindi
- Kagera River
- Lake Albert
Notable Features & Landmarks
- Rivers: Major rivers are indicated, including the Tana River.
- Lakes: Lake Victoria and others are prominently displayed.
- Settlements: Several settlements are marked, reflecting areas of German influence.
- Mountains: Kaiser Wilhelm II Mountains and Friedrich Franz Mountains are named.
- Flag Locations: Points where Peters planted the German flag are indicated.
- Anglo-German Treaty Line: The boundary extending the German sphere of influence is marked.
- Routes: Carl Peters's expedition route is clearly delineated.
- Camps: Tent locations or camps may be illustrated.
- Topographical Features: Contours and elevations are depicted to show the landscape.
- City Labels: Various cities and towns are labeled.
- Waterways: Branching channels and tributaries are shown.
- Political Boundaries: Borders between regions of interest are sketched out.
- Legend/Key: An explanatory legend may be provided to clarify marked features.
- Compass Rose: Orientation of the map may include a compass for navigation reference.
- Decorative Elements: Possible ornamental designs characteristic of the period.
Historical and design context
- Map Title: Map of the German Emin Pasha Expedition according to the Itinerary of Dr. Carl Peters
- Creator: Dr. Carl Peters, an influential proponent of German colonization
- Date Created: 1891
- Historical Context of the Mapmaker: Carl Peters was controversial for his role in the colonization of East Africa. He founded the Society for German Colonization, was involved in unsanctioned expeditions, and eventually faced severe backlash for his brutal tactics. He fled to London after negative public sentiment and was later pardoned posthumously by Adolf Hitler.
- Thematic Focus: Illustrates Peters's 1888 expedition to bolster German colonial influence in East Africa, particularly Uganda and Equatoria; reflects European colonization dynamics, geopolitical tension, and territorial negotiations.
- Countries and Regions Depicted: Parts of modern-day Kenya, Tanzania, Uganda, Rwanda, and Burundi, emphasizing the area from the Indian Ocean inland to Lake Victoria.
- Design and Style: Detailed hydrological representation with colored regions and labeled features; characteristic of late 19th-century cartography, combining topographical methods with artistic renditions.
- Historical Significance: Highlights early German colonial ambitions in East Africa and encounters between European powers; serves as a record of Peters's expedition and the imperialist context of the era.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
Please note: the labels on this map are hard to read if you order a map that is 16in (40cm) or smaller. The map is still very attractive, but if you would like to read the map easily, please buy a larger size.
The model in the listing images is holding the 16x16in (40x40cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Map of the German Emin Pasha Expedition according to the Itinerary of Dr. Carl Peters (1891) is a richly detailed chronicle of an audacious inland thrust from the Indian Ocean to the Great Lakes. Tracing Peters’s 1888 route, it leads the eye from Zanzibar, Tanga, and Bagamoyo across the Usambara and Kilimanjaro region toward Lake Victoria, with branches reaching into Uganda and Equatoria. A finely articulated hydrological network—rivers, branching channels, and tributaries—anchors the interior, while colored regional demarcations and sketched political boundaries convey the era’s negotiating lines. The Anglo-German Treaty line is crisply marked, its arc a visual shorthand for late 19th-century power-brokering. A precise legend and compass rose frame the cartographer’s intention: itinerary as argument, geography as claim.
Historically, the map captures a pivotal moment in the Scramble for Africa when German ambition pressed inland against British designs. Peters—founder of the Society for German Colonization—pursued influence over Equatoria and Uganda in a controversial campaign that included planting German flags along caravan corridors. His brutal tactics later provoked public outrage; he fled to London and, in a telling coda to the age’s politics, was posthumously pardoned by Adolf Hitler. Set against the backdrop of the 1890 Heligoland–Zanzibar Agreement, the map is both artifact and instrument, displaying how cartography recorded, rationalized, and attempted to fix in place competing imperial aspirations.
Geographically, the sheet is a lucid portrait of East Africa’s great water and mountain systems. Lake Victoria appears as the grand inland sea, joined by Lake Albert to the northwest; the Tana and Kagera Rivers unspool across the terrain, guiding the caravan logic of movement. Mountain belts—the Usambara range and the Kilimanjaro region—rise alongside imperially christened massifs such as the Kaiser Wilhelm II and Friedrich Franz Mountains, their names revealing the politics inscribed onto the land. Coastal emporia like Mombasa and Zanzibar give way to interior nodes including Ujiji and the Serengeti area, while Equatoria and the Emin Pasha Province mark the map’s northern horizon. Contour-like shading, a clear key, and restrained decorative elements complete the late 19th-century visual grammar.
The expedition route itself is meticulously delineated, threading from the Tanzania coast toward Lake Victoria with camps and tent symbols punctuating progress. Notations of flag-planting sites lend an unmistakable geopolitical charge: these are waypoints of assertion as much as of navigation. The path often hugs river valleys, skirts open savanna, and leverages highland passes, mirroring the logistical realities of caravan travel. Along the way, historically resonant places—Bagamoyo as staging ground, the coastal remnants near the Ruins of Gedi, and inland corridors toward Uganda—convey both strategic intent and the friction of terrain. Every bend and bivouac transforms the map into a narrative of movement, encounter, and claim-making.
For collectors, this map’s resonance lies in how it foreshadows modern borders across Kenya, Tanzania, Uganda, Rwanda, and Burundi while revealing the improvisation behind them. The Anglo-German boundary swings across the page like a prelude to later partitions; settlements, missionary stations, and caravan towns sketch a network later formalized by rail and protectorate. Equatoria and the Emin Pasha Province signal a contested northern frontier, while the Kilimanjaro region and Usambara highlands mark Germany’s inland aspirations. It is a powerful, ethically complex document—an elegant visualization of geography pressed into imperial service, and a rare, candid witness to the geopolitical calculations that shaped East Africa at the close of the 19th century.
Places on this map
- Lake Victoria
- Tana River
- Kaiser Wilhelm II Mountains
- Friedrich Franz Mountains
- Zanzibar
- Ujiji
- Usambara Mountains
- Nairobi
- Mombasa
- Kilimanjaro Region
- Emin Pasha Province
- Uganda
- Equatoria
- Tanga
- Tanzania Coast
- Serengeti Area
- Bagamoyo
- Ruins of Gedi
- Kilindi
- Kagera River
- Lake Albert
Notable Features & Landmarks
- Rivers: Major rivers are indicated, including the Tana River.
- Lakes: Lake Victoria and others are prominently displayed.
- Settlements: Several settlements are marked, reflecting areas of German influence.
- Mountains: Kaiser Wilhelm II Mountains and Friedrich Franz Mountains are named.
- Flag Locations: Points where Peters planted the German flag are indicated.
- Anglo-German Treaty Line: The boundary extending the German sphere of influence is marked.
- Routes: Carl Peters's expedition route is clearly delineated.
- Camps: Tent locations or camps may be illustrated.
- Topographical Features: Contours and elevations are depicted to show the landscape.
- City Labels: Various cities and towns are labeled.
- Waterways: Branching channels and tributaries are shown.
- Political Boundaries: Borders between regions of interest are sketched out.
- Legend/Key: An explanatory legend may be provided to clarify marked features.
- Compass Rose: Orientation of the map may include a compass for navigation reference.
- Decorative Elements: Possible ornamental designs characteristic of the period.
Historical and design context
- Map Title: Map of the German Emin Pasha Expedition according to the Itinerary of Dr. Carl Peters
- Creator: Dr. Carl Peters, an influential proponent of German colonization
- Date Created: 1891
- Historical Context of the Mapmaker: Carl Peters was controversial for his role in the colonization of East Africa. He founded the Society for German Colonization, was involved in unsanctioned expeditions, and eventually faced severe backlash for his brutal tactics. He fled to London after negative public sentiment and was later pardoned posthumously by Adolf Hitler.
- Thematic Focus: Illustrates Peters's 1888 expedition to bolster German colonial influence in East Africa, particularly Uganda and Equatoria; reflects European colonization dynamics, geopolitical tension, and territorial negotiations.
- Countries and Regions Depicted: Parts of modern-day Kenya, Tanzania, Uganda, Rwanda, and Burundi, emphasizing the area from the Indian Ocean inland to Lake Victoria.
- Design and Style: Detailed hydrological representation with colored regions and labeled features; characteristic of late 19th-century cartography, combining topographical methods with artistic renditions.
- Historical Significance: Highlights early German colonial ambitions in East Africa and encounters between European powers; serves as a record of Peters's expedition and the imperialist context of the era.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
Please note: the labels on this map are hard to read if you order a map that is 16in (40cm) or smaller. The map is still very attractive, but if you would like to read the map easily, please buy a larger size.
The model in the listing images is holding the 16x16in (40x40cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
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We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
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Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Every Unique Maps piece begins with an authentic cartographic source or an original design from our London studio.
For our historic maps, we source rare originals from libraries, archives, auction houses and private collections around the world. We carefully restore each map for print—repairing age-related damage, balancing colour and improving clarity while preserving its original detail, texture and character.
Once restored, the map is prepared for your chosen size and finish. Your piece is then printed and, where selected, framed close to its delivery destination.
Our map prints use acid-free 200gsm archival matte paper and fade-resistant pigment inks, creating a rich, non-glossy finish designed to last. Framed maps use crystal-clear optical acrylic and arrive ready to hang.
Canvas, cotton-rag and other specialist presentations are also available. Learn more about our materials and finishes.
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Map of the German Emin Pasha Expedition according to the Itinerary of Dr. Carl Peters (1891) is a richly detailed chronicle of an audacious inland thrust from the Indian Ocean to the Great Lakes. Tracing Peters’s 1888 route, it leads the eye from Zanzibar, Tanga, and Bagamoyo across the Usambara and Kilimanjaro region toward Lake Victoria, with branches reaching into Uganda and Equatoria. A finely articulated hydrological network—rivers, branching channels, and tributaries—anchors the interior, while colored regional demarcations and sketched political boundaries convey the era’s negotiating lines. The Anglo-German Treaty line is crisply marked, its arc a visual shorthand for late 19th-century power-brokering. A precise legend and compass rose frame the cartographer’s intention: itinerary as argument, geography as claim.
Historically, the map captures a pivotal moment in the Scramble for Africa when German ambition pressed inland against British designs. Peters—founder of the Society for German Colonization—pursued influence over Equatoria and Uganda in a controversial campaign that included planting German flags along caravan corridors. His brutal tactics later provoked public outrage; he fled to London and, in a telling coda to the age’s politics, was posthumously pardoned by Adolf Hitler. Set against the backdrop of the 1890 Heligoland–Zanzibar Agreement, the map is both artifact and instrument, displaying how cartography recorded, rationalized, and attempted to fix in place competing imperial aspirations.
Geographically, the sheet is a lucid portrait of East Africa’s great water and mountain systems. Lake Victoria appears as the grand inland sea, joined by Lake Albert to the northwest; the Tana and Kagera Rivers unspool across the terrain, guiding the caravan logic of movement. Mountain belts—the Usambara range and the Kilimanjaro region—rise alongside imperially christened massifs such as the Kaiser Wilhelm II and Friedrich Franz Mountains, their names revealing the politics inscribed onto the land. Coastal emporia like Mombasa and Zanzibar give way to interior nodes including Ujiji and the Serengeti area, while Equatoria and the Emin Pasha Province mark the map’s northern horizon. Contour-like shading, a clear key, and restrained decorative elements complete the late 19th-century visual grammar.
The expedition route itself is meticulously delineated, threading from the Tanzania coast toward Lake Victoria with camps and tent symbols punctuating progress. Notations of flag-planting sites lend an unmistakable geopolitical charge: these are waypoints of assertion as much as of navigation. The path often hugs river valleys, skirts open savanna, and leverages highland passes, mirroring the logistical realities of caravan travel. Along the way, historically resonant places—Bagamoyo as staging ground, the coastal remnants near the Ruins of Gedi, and inland corridors toward Uganda—convey both strategic intent and the friction of terrain. Every bend and bivouac transforms the map into a narrative of movement, encounter, and claim-making.
For collectors, this map’s resonance lies in how it foreshadows modern borders across Kenya, Tanzania, Uganda, Rwanda, and Burundi while revealing the improvisation behind them. The Anglo-German boundary swings across the page like a prelude to later partitions; settlements, missionary stations, and caravan towns sketch a network later formalized by rail and protectorate. Equatoria and the Emin Pasha Province signal a contested northern frontier, while the Kilimanjaro region and Usambara highlands mark Germany’s inland aspirations. It is a powerful, ethically complex document—an elegant visualization of geography pressed into imperial service, and a rare, candid witness to the geopolitical calculations that shaped East Africa at the close of the 19th century.
Places on this map
- Lake Victoria
- Tana River
- Kaiser Wilhelm II Mountains
- Friedrich Franz Mountains
- Zanzibar
- Ujiji
- Usambara Mountains
- Nairobi
- Mombasa
- Kilimanjaro Region
- Emin Pasha Province
- Uganda
- Equatoria
- Tanga
- Tanzania Coast
- Serengeti Area
- Bagamoyo
- Ruins of Gedi
- Kilindi
- Kagera River
- Lake Albert
Notable Features & Landmarks
- Rivers: Major rivers are indicated, including the Tana River.
- Lakes: Lake Victoria and others are prominently displayed.
- Settlements: Several settlements are marked, reflecting areas of German influence.
- Mountains: Kaiser Wilhelm II Mountains and Friedrich Franz Mountains are named.
- Flag Locations: Points where Peters planted the German flag are indicated.
- Anglo-German Treaty Line: The boundary extending the German sphere of influence is marked.
- Routes: Carl Peters's expedition route is clearly delineated.
- Camps: Tent locations or camps may be illustrated.
- Topographical Features: Contours and elevations are depicted to show the landscape.
- City Labels: Various cities and towns are labeled.
- Waterways: Branching channels and tributaries are shown.
- Political Boundaries: Borders between regions of interest are sketched out.
- Legend/Key: An explanatory legend may be provided to clarify marked features.
- Compass Rose: Orientation of the map may include a compass for navigation reference.
- Decorative Elements: Possible ornamental designs characteristic of the period.
Historical and design context
- Map Title: Map of the German Emin Pasha Expedition according to the Itinerary of Dr. Carl Peters
- Creator: Dr. Carl Peters, an influential proponent of German colonization
- Date Created: 1891
- Historical Context of the Mapmaker: Carl Peters was controversial for his role in the colonization of East Africa. He founded the Society for German Colonization, was involved in unsanctioned expeditions, and eventually faced severe backlash for his brutal tactics. He fled to London after negative public sentiment and was later pardoned posthumously by Adolf Hitler.
- Thematic Focus: Illustrates Peters's 1888 expedition to bolster German colonial influence in East Africa, particularly Uganda and Equatoria; reflects European colonization dynamics, geopolitical tension, and territorial negotiations.
- Countries and Regions Depicted: Parts of modern-day Kenya, Tanzania, Uganda, Rwanda, and Burundi, emphasizing the area from the Indian Ocean inland to Lake Victoria.
- Design and Style: Detailed hydrological representation with colored regions and labeled features; characteristic of late 19th-century cartography, combining topographical methods with artistic renditions.
- Historical Significance: Highlights early German colonial ambitions in East Africa and encounters between European powers; serves as a record of Peters's expedition and the imperialist context of the era.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
Please note: the labels on this map are hard to read if you order a map that is 16in (40cm) or smaller. The map is still very attractive, but if you would like to read the map easily, please buy a larger size.
The model in the listing images is holding the 16x16in (40x40cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
