Rare Old Map of West Virginia, 1920: Charleston, Huntington, Ohio River, State Roads, Electric Lines
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Add any two eligible items to your bag to receive 20% off. Add a third and it will be complimentary (equivalent to 33% off when purchasing three).
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Valid on all standard maps and fine art prints. You can mix and match any designs.
If you’d like to ship items to multiple addresses, please contact us before placing your order.
Custom and bespoke commissions are excluded.
Contact us if you have any questions
20% off 2 — 33% off 3
Add any two eligible items to your bag to receive 20% off. Add a third and it will be complimentary (equivalent to 33% off when purchasing three).
No code needed — the offer applies automatically at checkout.
Valid on all standard maps and fine art prints. You can mix and match any designs.
If you’d like to ship items to multiple addresses, please contact us before placing your order.
Custom and bespoke commissions are excluded.
Contact us if you have any questions
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Gift message & custom finish

If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
You can also contact us before you order, if you prefer!

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West Virginia, published in 1920 by the George F. Cram Company, presents the Mountain State at the instant America stepped from steam into the age of gasoline and electricity. Its original title—simply West Virginia—belies a composition alive with color-coded intelligence: counties ringed in green, arterial state roads traced in red and blue, and electric lines flashed in red across valleys and ridgelines. Hachured relief folds the landscape into the Alleghenies, letting the eye feel ascent and descent as routes thread through passes toward Charleston, Huntington, and Wheeling. Principal cities and county seats are crisply named, their relative stature echoed by contemporary census tallies from 1920. The result is a clear, elegant synthesis of political order, physical form, and the new connective tissues binding mines, mills, and markets across the state.
Produced by the prestigious George F. Cram Company—established in 1867 and renowned for atlases that married precision with practical utility—this map embodies the firm’s early twentieth-century aesthetic. Cram’s editors distilled immense datasets into legible hierarchies, using disciplined palettes and fine linework to balance beauty with use. Trained in the traditions of American commercial cartography yet alert to modern travel, they were quick to foreground highways, state roads, and electric lines alongside political boundaries and population figures. In 1920 that editorial stance mattered: motorists pressed beyond rail corridors, interurban lines stitched together industrial towns, and state commissions rationalized road systems. Cram captured that transition with quiet authority, rendering West Virginia’s administrative grid and mountain physiography as the fixed stage upon which new mobility unfolded.
Topographically, the map is a masterclass in hachure technique. Short, closely set strokes articulate the Allegheny front and the corrugated ridges of the Potomac Highlands, while the broader Allegheny Plateau to the west relaxes into rounded hills and deeply incised streams. The Ohio River anchors the western edge, its bends hosting Wheeling, Parkersburg, and Huntington, each a riverport turned rail-and-road nexus. Northward, the Monongahela gathers waters through Fairmont and Morgantown; eastward, the Potomac skirts Martinsburg and the Eastern Panhandle. Central valleys carry the Elk and Kanawha past Charleston and South Charleston, while farther south the New River and Gauley carve dramatic gorges toward their confluence. These landforms do not merely decorate the scene—they dictate the alignments of roads, the siting of towns, and the very pattern of economic life.
Politically, counties are crisply partitioned in green, their seats neatly identified, giving instant comprehension of West Virginia’s administrative mosaic in 1920. Kanawha County asserts its centrality with Charleston as capital, while Ohio County clusters around venerable Wheeling at the northern bend of the river. Cabell centers on Huntington; Wood on Parkersburg; Monongalia and Harrison bracket Fairmont, Morgantown, and Clarksburg across the northern coal belt; Berkeley orients Martinsburg toward the mid-Atlantic; Raleigh signals Beckley’s ascent on the southern plateau; Hancock and Brooke squeeze into the Northern Panhandle with Weirton’s burgeoning steelworks between river and ridge; Mineral sets Keyser along the Potomac corridor. Paired with census figures of the same year, the pattern reveals an urban network swelling along energy seams and water routes, even as courthouse towns anchor the rural highlands.
Transportation symbology is where the composition sparks with modernity. Major highways and state roads are cleanly segregated in red and blue, guiding the eye from the panhandles through the central highlands to border crossings with Ohio, Pennsylvania, Virginia, and Kentucky. Red-marked electric lines—interurban railways and power-linked corridors—lace together mills, mines, and markets, especially along the Ohio River valley and across the north-central coalfields. Charleston emerges as a road hub on the Kanawha; Huntington fronts a multi-modal river gateway; Wheeling and Parkersburg marshal crossings and bridges; branch routes climb to Beckley and the southern camps. Tracked against the hachured terrain, every gradient, gap, and river bend explains a decision in engineering. The map captures the last great moment before federal highway numbering, when the state’s own system defined movement and ambition.
Cities and towns on this map
- Charleston
- Huntington
- Morgantown
- Parkersburg
- Wheeling
- Fairmont
- Martinsburg
- Beckley
- Clarksburg
- Weirton
- South Charleston
- Keyser
Notable Features & Landmarks
- Administrative boundaries outlined in green
- Major highways and state roads illustrated in red and blue
- Electric lines clearly marked in red
- County seats and major towns indicated with names
- Relief illustrated with hachures
Historical and design context
- Publisher: George F. Cram Company (est. 1867), renowned for detailed early-20th-century cartography
- Publication year: 1920
- Themes displayed: political boundaries, physical geography, and transportation routes (highways, state roads, electric lines)
- Regions covered: entire state of West Virginia with key administrative boundaries, principal cities, and counties
- Design elements: distinctive color schemes; electric lines in red; roads in red and blue; hachures to illustrate relief
- Historical context: depicts early 20th-century transportation and administration, accompanied by 1920 census data
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 5-year guarantee.
My standard frame is a gallery style black ash hardwood frame. It is simple and quite modern looking. My standard frame is around 20mm (0.8in) wide.
I use super-clear acrylic (perspex/acrylite) for the frame glass. It's lighter and safer than glass - and it looks better, as the reflectivity is lower.
Six standard frame colours are available for free (black, dark brown, dark grey, oak, white and antique gold). Custom framing and mounting/matting is available if you're looking for something else.
Most maps, art and illustrations are also available as a framed canvas. We use matte (not shiny) cotton canvas, stretch it over a sustainably sourced box wood frame, and then 'float' the piece within a wood frame. The end result is quite beautiful, and there's no glazing to get in the way.
All frames are provided "ready to hang", with either a string or brackets on the back. Very large frames will have heavy duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
See some examples of my framed maps and framed canvas maps.
Alternatively, I can also supply old maps and artwork on canvas, foam board, cotton rag and other materials.
If you want to frame your map or artwork yourself, please read my size guide first.
My maps are extremely high quality reproductions of original maps.
I source original, rare maps from libraries, auction houses and private collections around the world, restore them at my London workshop, and then use specialist giclée inks and printers to create beautiful maps that look even better than the original.
My maps are printed on acid-free archival matte (not glossy) paper that feels very high quality and almost like card. In technical terms the paper weight/thickness is 10mil/200gsm. It's perfect for framing.
I print with Epson ultrachrome giclée UV fade resistant pigment inks - some of the best inks you can find.
I can also make maps on canvas, cotton rag and other exotic materials.
Learn more about The Unique Maps Co.
Map personalisation
If you're looking for the perfect anniversary or housewarming gift, I can personalise your map to make it truly unique. For example, I can add a short message, or highlight an important location, or add your family's coat of arms.
The options are almost infinite. Please see my map personalisation page for some wonderful examples of what's possible.
To order a personalised map, select "personalise your map" before adding it to your basket.
Get in touch if you're looking for more complex customisations and personalisations.
Map ageing
I have been asked hundreds of times over the years by customers if they could buy a map that looks even older.
Well, now you can, by selecting Aged before you add a map to your basket.
All the product photos you see on this page show the map in its Original form. This is what the map looks like today.
If you select Aged, I will age your map by hand, using a special and unique process developed through years of studying old maps, talking to researchers to understand the chemistry of aging paper, and of course... lots of practice!
If you're unsure, stick to the Original colour of the map. If you want something a bit darker and older looking, go for Aged.
If you are not happy with your order for any reason, contact me and I'll get it fixed ASAP, free of charge. Please see my returns and refund policy for more information.
I am very confident you will like your restored map or art print. I have been doing this since 1984. I'm a 5-star Etsy seller. I have sold tens of thousands of maps and art prints and have over 5,000 real 5-star reviews. My work has been featured in interior design magazines, on the BBC, and on the walls of dozens of 5-star hotels.
I use a unique process to restore maps and artwork that is massively time consuming and labour intensive. Hunting down the original maps and illustrations can take months. I use state of the art and eye-wateringly expensive technology to scan and restore them. As a result, I guarantee my maps and art prints are a cut above the rest. I stand by my products and will always make sure you're 100% happy with what you receive.
Almost all of my maps and art prints look amazing at large sizes (200cm, 6.5ft+) and I can frame and deliver them to you as well, via special oversized courier. Contact me to discuss your specific needs.
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West Virginia, published in 1920 by the George F. Cram Company, presents the Mountain State at the instant America stepped from steam into the age of gasoline and electricity. Its original title—simply West Virginia—belies a composition alive with color-coded intelligence: counties ringed in green, arterial state roads traced in red and blue, and electric lines flashed in red across valleys and ridgelines. Hachured relief folds the landscape into the Alleghenies, letting the eye feel ascent and descent as routes thread through passes toward Charleston, Huntington, and Wheeling. Principal cities and county seats are crisply named, their relative stature echoed by contemporary census tallies from 1920. The result is a clear, elegant synthesis of political order, physical form, and the new connective tissues binding mines, mills, and markets across the state.
Produced by the prestigious George F. Cram Company—established in 1867 and renowned for atlases that married precision with practical utility—this map embodies the firm’s early twentieth-century aesthetic. Cram’s editors distilled immense datasets into legible hierarchies, using disciplined palettes and fine linework to balance beauty with use. Trained in the traditions of American commercial cartography yet alert to modern travel, they were quick to foreground highways, state roads, and electric lines alongside political boundaries and population figures. In 1920 that editorial stance mattered: motorists pressed beyond rail corridors, interurban lines stitched together industrial towns, and state commissions rationalized road systems. Cram captured that transition with quiet authority, rendering West Virginia’s administrative grid and mountain physiography as the fixed stage upon which new mobility unfolded.
Topographically, the map is a masterclass in hachure technique. Short, closely set strokes articulate the Allegheny front and the corrugated ridges of the Potomac Highlands, while the broader Allegheny Plateau to the west relaxes into rounded hills and deeply incised streams. The Ohio River anchors the western edge, its bends hosting Wheeling, Parkersburg, and Huntington, each a riverport turned rail-and-road nexus. Northward, the Monongahela gathers waters through Fairmont and Morgantown; eastward, the Potomac skirts Martinsburg and the Eastern Panhandle. Central valleys carry the Elk and Kanawha past Charleston and South Charleston, while farther south the New River and Gauley carve dramatic gorges toward their confluence. These landforms do not merely decorate the scene—they dictate the alignments of roads, the siting of towns, and the very pattern of economic life.
Politically, counties are crisply partitioned in green, their seats neatly identified, giving instant comprehension of West Virginia’s administrative mosaic in 1920. Kanawha County asserts its centrality with Charleston as capital, while Ohio County clusters around venerable Wheeling at the northern bend of the river. Cabell centers on Huntington; Wood on Parkersburg; Monongalia and Harrison bracket Fairmont, Morgantown, and Clarksburg across the northern coal belt; Berkeley orients Martinsburg toward the mid-Atlantic; Raleigh signals Beckley’s ascent on the southern plateau; Hancock and Brooke squeeze into the Northern Panhandle with Weirton’s burgeoning steelworks between river and ridge; Mineral sets Keyser along the Potomac corridor. Paired with census figures of the same year, the pattern reveals an urban network swelling along energy seams and water routes, even as courthouse towns anchor the rural highlands.
Transportation symbology is where the composition sparks with modernity. Major highways and state roads are cleanly segregated in red and blue, guiding the eye from the panhandles through the central highlands to border crossings with Ohio, Pennsylvania, Virginia, and Kentucky. Red-marked electric lines—interurban railways and power-linked corridors—lace together mills, mines, and markets, especially along the Ohio River valley and across the north-central coalfields. Charleston emerges as a road hub on the Kanawha; Huntington fronts a multi-modal river gateway; Wheeling and Parkersburg marshal crossings and bridges; branch routes climb to Beckley and the southern camps. Tracked against the hachured terrain, every gradient, gap, and river bend explains a decision in engineering. The map captures the last great moment before federal highway numbering, when the state’s own system defined movement and ambition.
Cities and towns on this map
- Charleston
- Huntington
- Morgantown
- Parkersburg
- Wheeling
- Fairmont
- Martinsburg
- Beckley
- Clarksburg
- Weirton
- South Charleston
- Keyser
Notable Features & Landmarks
- Administrative boundaries outlined in green
- Major highways and state roads illustrated in red and blue
- Electric lines clearly marked in red
- County seats and major towns indicated with names
- Relief illustrated with hachures
Historical and design context
- Publisher: George F. Cram Company (est. 1867), renowned for detailed early-20th-century cartography
- Publication year: 1920
- Themes displayed: political boundaries, physical geography, and transportation routes (highways, state roads, electric lines)
- Regions covered: entire state of West Virginia with key administrative boundaries, principal cities, and counties
- Design elements: distinctive color schemes; electric lines in red; roads in red and blue; hachures to illustrate relief
- Historical context: depicts early 20th-century transportation and administration, accompanied by 1920 census data
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

