Snapdragon (Antirrhinum, Plate 24) by Pierre Joseph Redouté, 1805
Authentic artwork
The artwork we print is faithfully restored from the original source - usually a museum, auction house or private collection.
We never replace, redraw or invent the artist’s work using generative AI.
Restored in our workshop from the original 1805 artwork and printed to museum-grade archival standards. Full description
The Collector’s Offer
Choose two eligible works and receive 25% off both. You can mix and match both maps and art.
No code is required. The offer is applied automatically.
Full terms and conditions
The Collector’s Offer applies to eligible works in standard made-to-order configurations. Bespoke sizes, personalised designs and commissioned work are excluded. Products with “personalised” or “custom” in their name are generally excluded.
The offer is administered as two separate automatic discounts: one for smaller formats and one for larger formats. To qualify, you must purchase two eligible works within the same format group. Maps and art prints may be mixed and matched within each group.
For example, two eligible A4 or 8 × 10 in prints qualify for 25% off both. One smaller-format print and one larger-format work do not qualify together, as items from different format groups cannot be combined to meet the two-item requirement.
No discount code is required. Any qualifying discount is applied automatically in your basket and at checkout.
The Collector’s Offer
Choose two eligible works and receive 25% off both. You can mix and match both maps and art.
No code is required. The offer is applied automatically.
Full terms and conditions
The Collector’s Offer applies to eligible works in standard made-to-order configurations. Bespoke sizes, personalised designs and commissioned work are excluded. Products with “personalised” or “custom” in their name are generally excluded.
The offer is administered as two separate automatic discounts: one for smaller formats and one for larger formats. To qualify, you must purchase two eligible works within the same format group. Maps and art prints may be mixed and matched within each group.
For example, two eligible A4 or 8 × 10 in prints qualify for 25% off both. One smaller-format print and one larger-format work do not qualify together, as items from different format groups cannot be combined to meet the two-item requirement.
No discount code is required. Any qualifying discount is applied automatically in your basket and at checkout.
Authentic artwork
The artwork we print is faithfully restored from the original source - usually a museum, auction house or private collection.
We never replace, redraw or invent the artist’s work using generative AI.
Restored from the original 1805 artwork and printed to museum-grade archival standards. Full description
Choose your size
Choose your finish
(More info)
Gift message & custom finish
If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
You can also contact us before you order, if you prefer!
- Made locally for fast, safe delivery
- Arrives perfect - or we replace it
-
Christmas delivery & gifting Christmas delivery & gifting
Beat the Christmas rush—order early.
Delivery options
Enjoy free standard delivery to anywhere in the world. Free delivery usually arrives in 3 business days. Express or and next-day options are available at the checkout.
Personalised pieces need time for design and proof approval before printing. More delivery info.
Send it straight to them
Simply enter the recipient’s delivery address at checkout. Add a gift message in the order notes and we’ll print it on a branded card. We don’t include prices in the parcel.
Time to choose with confidence
Standard orders can be returned or exchanged within 90 days of delivery. Personalised and custom-made pieces are generally excluded from change-of-mind returns. See our returns policy.
Arrives perfect—or we replace it
If your order arrives damaged, send us a few photos and we’ll arrange a replacement free of charge.
Have a question about your gift? Contact the workshop.
- Need help ordering?
Chosen by collectors, designers and gift buyers
8,000+ five-star reviews
Pierre-Joseph Redouté’s La botanique de J. J. Rousseau, Pl. 24, published in 1805, presents an Antirrhinum—from the genus commonly known as snapdragons—as...
Continue readingPierre-Joseph Redouté’s La botanique de J. J. Rousseau, Pl. 24, published in 1805, presents an Antirrhinum—from the genus commonly known as snapdragons—as a poised, upright study of flower, bud, stem and leaf. A cluster of pink blooms occupies the upper half of the composition, while abundant green foliage gathers below. Against the pale, unencumbered ground, the plant appears both scientifically legible and decoratively balanced: a living specimen translated into an elegant sequence of branching forms, softly modelled colour and precise contour.
The plate was created for La botanique de J. J. Rousseau, a publication shaped by the period’s enthusiasm for natural history and the wider dissemination of botanical knowledge. Redouté was among the most accomplished botanical artists working in France, admired for reconciling close observation with exceptional pictorial refinement. His illustrations served readers interested in botany and horticulture, yet their clarity and grace also gave them an appeal beyond strictly scientific study. Here, taxonomy and cultivated garden culture meet in an image designed to make the structure of a plant intelligible without diminishing its visual character.
A closer look
The eye is first drawn to the flowering spike, where individual blossoms unfold in subtly varied states. Some are fully open, their irregular petals described in pale pink with deeper rose-coloured passages; others remain compact buds, creating a gradual transition towards the top of the stem. Soft tonal shifts lend the flowers volume without introducing harsh contrast. Their forms appear to turn gently around the central stalk, preventing the arrangement from becoming rigidly symmetrical.
Below, the leaves establish a denser and more varied rhythm. They project alternately from the stem, overlapping in places yet remaining distinctly articulated. Fine pale lines trace the veins, while changes from fresh green to darker olive tones clarify folds, edges and slight turns in the foliage. One leaf on the right angles away from the main axis, adding an understated asymmetry; elsewhere, the junctions between leaves and stem are carefully delineated. Even the stem’s faint grooves and shifts of green contribute to the impression of sustained observation.
Redouté’s use of negative space is equally important. The flowering plant occupies the centre of the plate but is never crowded by surrounding detail or habitat. This isolation allows every bud and leaf to be examined while also giving the specimen an almost portrait-like presence. Smooth outlines are supplemented by delicate hatching and gradated colour, particularly within the petals, where minute changes in tone suggest their soft, folded surfaces. The restrained inscription at the lower left identifies P. J. Redouté without disturbing the vertical movement of the composition.
Context and significance
Botanical illustration around the turn of the nineteenth century occupied a productive space between science and art. Accurate images helped readers recognise, compare and classify plants, while carefully composed plates encouraged a broader appreciation of horticulture and the natural world. Redouté’s particular distinction lay in making these purposes appear inseparable: structural information is conveyed through an arrangement of considerable delicacy, and decorative beauty emerges from the plant’s observed anatomy rather than from added ornament.
This Antirrhinum study is characteristic of that achievement. Its appeal rests not only in the pink flowers but in the quieter details—the succession from closed bud to open bloom, the fine network of leaf veins and the measured intervals of pale ground around the stem. The result is an image of cultivated restraint, rewarding both botanical curiosity and close visual attention.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Pierre-Joseph Redouté’s La botanique de J. J. Rousseau, Pl. 24, published in 1805, presents an Antirrhinum—from the genus commonly known as snapdragons—as a poised, upright study of flower, bud, stem and leaf. A cluster of pink blooms occupies the upper half of the composition, while abundant green foliage gathers below. Against the pale, unencumbered ground, the plant appears both scientifically legible and decoratively balanced: a living specimen translated into an elegant sequence of branching forms, softly modelled colour and precise contour.
The plate was created for La botanique de J. J. Rousseau, a publication shaped by the period’s enthusiasm for natural history and the wider dissemination of botanical knowledge. Redouté was among the most accomplished botanical artists working in France, admired for reconciling close observation with exceptional pictorial refinement. His illustrations served readers interested in botany and horticulture, yet their clarity and grace also gave them an appeal beyond strictly scientific study. Here, taxonomy and cultivated garden culture meet in an image designed to make the structure of a plant intelligible without diminishing its visual character.
A closer look
The eye is first drawn to the flowering spike, where individual blossoms unfold in subtly varied states. Some are fully open, their irregular petals described in pale pink with deeper rose-coloured passages; others remain compact buds, creating a gradual transition towards the top of the stem. Soft tonal shifts lend the flowers volume without introducing harsh contrast. Their forms appear to turn gently around the central stalk, preventing the arrangement from becoming rigidly symmetrical.
Below, the leaves establish a denser and more varied rhythm. They project alternately from the stem, overlapping in places yet remaining distinctly articulated. Fine pale lines trace the veins, while changes from fresh green to darker olive tones clarify folds, edges and slight turns in the foliage. One leaf on the right angles away from the main axis, adding an understated asymmetry; elsewhere, the junctions between leaves and stem are carefully delineated. Even the stem’s faint grooves and shifts of green contribute to the impression of sustained observation.
Redouté’s use of negative space is equally important. The flowering plant occupies the centre of the plate but is never crowded by surrounding detail or habitat. This isolation allows every bud and leaf to be examined while also giving the specimen an almost portrait-like presence. Smooth outlines are supplemented by delicate hatching and gradated colour, particularly within the petals, where minute changes in tone suggest their soft, folded surfaces. The restrained inscription at the lower left identifies P. J. Redouté without disturbing the vertical movement of the composition.
Context and significance
Botanical illustration around the turn of the nineteenth century occupied a productive space between science and art. Accurate images helped readers recognise, compare and classify plants, while carefully composed plates encouraged a broader appreciation of horticulture and the natural world. Redouté’s particular distinction lay in making these purposes appear inseparable: structural information is conveyed through an arrangement of considerable delicacy, and decorative beauty emerges from the plant’s observed anatomy rather than from added ornament.
This Antirrhinum study is characteristic of that achievement. Its appeal rests not only in the pink flowers but in the quieter details—the succession from closed bud to open bloom, the fine network of leaf veins and the measured intervals of pale ground around the stem. The result is an image of cultivated restraint, rewarding both botanical curiosity and close visual attention.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 24 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
We work with interior designers, hospitality businesses, property professionals, offices and corporate buyers on individual pieces and larger coordinated projects.
This artwork can be adapted for a particular wall, room or project, and our workshop can help coordinate the dimensions, material and framing before production.
- Exact, oversized and made-to-measure dimensions
- Custom framing, mounting and alternative materials
- Coordinated pieces for several rooms or locations
- Art personalisation, to adjust the colour and style of the piece
- Art and framing guidance from our workshop
- Local production for projects around the world
Every restored art print begins with the original artist’s work—never an AI-generated replacement.
Our London studio works from carefully selected source material from museums, libraries, archives and private collections. We restore age-related damage, faded colour and imperfect reproduction while preserving the artist’s composition, brushwork, line, texture and period character.
We do not use generative AI to redraw, reinterpret or invent the artwork. Digital restoration is used only to recover and reproduce the original work as faithfully as possible.
Once restored, the master artwork is prepared for your chosen size and finish. Your piece is then printed and, where selected, framed close to its delivery destination.
Our giclée art prints use acid-free 200gsm archival matte paper and fade-resistant pigment inks for a rich, museum-quality finish. Framed art prints use crystal-clear optical acrylic and arrive ready to hang.
Framed canvas and specialist cotton-rag editions are also available. Learn more about our materials and finishes.
We’ve been restoring and producing maps and art prints since 1984, and we stand behind every piece.
Every order is covered by our 10-year guarantee and damage-free delivery guarantee. If your piece arrives damaged, we’ll replace or remake it free of charge. If anything else isn’t right, contact our workshop team and we’ll put it right promptly.
See our returns and refund policy for full details.
